N.B.: Much of the bibliographic data included on the Johannes
Ockeghem Home Page as well as a substantial amount of research-related
information contained in the author's revised doctoral dissertation is currently
being updated and substantially augmented in order to be submitted for
publication in monographic form. The monograph includes information on hundreds
of items (see examples under Introduction below) not yet included on this
page. These will be added gradually to the Johannes Ockeghem Home Page
once the monograph has been published. In order to locate items not furnished
on this page or to obtain more recent bibliographic information for any of the
items provided here please contact the author directly.
Die Goldberg Stiftung
(Dr. Clemens Goldberg).
Introduction
[Word Search and/or Index Find browser capabilities may help in locating a
particular author, title, subject, keyword term, or phrase.]
Note: Please do not hesitate to Email me at atwells@ferris.edu should you wish to obtain
citations or other relevant information for any item related to Johannes
Ockeghem which you do not find on this page, or if you wish to obtain more
complete information for any item you do find on this page. (The typical
turnaround time for responding to most requests is 24 hours.) I have a
substantial number of items (abstracts, articles, bibliographic and
biographical resources, dissertations, editions, facsimiles, iconographical
resources, information regarding library sigla, links to theoretical treatises,
manuscripts, MIDI files, monographs, MusiXTex source files, performance
practice resources, PostScript graphic images, prints, released and unreleased
recordings, scores, theoretical writings, theses, unpublished sources and
transcriptions, etc.) as well as a substantial number of additional primary,
secondary, and peripheral resources that are currently awaiting classification
and bibliographic verification before being added to this page. I would be
more than willing to disseminate, where appropriate, to scholars and students
upon request. If unable to disseminate directly, I will make every effort to
deliver relevant library and other agency holdings information and/or point
users in the direction of a particular scholar or loaning institution.
N.B.: All links verified as of 20080509.
New: Updated image and layout.
Relatively New: Updated Introduction and Purpose statements.
Purpose
The Johannes Ockeghem Home Page is devoted to one of the fifteenth
century's most innovative and enigmatic composers, Johannes Ockeghem
(c.1410-1497). It is my intent to collate and organize as much information as
is possible on the composer, in the hope that it will aid researchers,
scholars, and general audiences alike in a greater understanding of and
appreciation for the music of this contrapuntist. I welcome comments,
corrections, discussion, feedback, and scholarly inquiries on any of the
subjects here listed. Please feel free to Email me at
atwells@ferris.edu should you wish
reference or research assistance, or should you wish to contribute relevant
links.
Dedication
I wish to thank Dr. Jeffrey Dean, Dr. Martin Picker, and Dr. Richard Wexler
for their correspondence and insights regarding the analysis and structure of
Ockeghem's works. Special thanks go to Dr. Dale Bonge, my Ph.D. dissertation
advisor, Dr. Peter Urquhart, my M.A. thesis advisor, and finally, to Dr. Robert
White, my B.M. thesis advisor and the individual who introduced me to the
music of Ockeghem. Each of these scholars have contributed toward the impetus
for this project. It is with gratitude and respect that I dedicate this page
to them.
Contents:
Basic
Repertoire List.
Bibliography.
Biography.
Discography.
Editions.
Iconography.
Image (1).
Image (2).
Image (3).
Library of
Congress Citations (Format and Name).
Manuscripts, Facsimiles, and Prints.
MusiXTeX Library
(Score
Library). A set of TeX macros to typeset orchestral or polyphonic music.
MusiXTeX source files (Zip archived), PostScript graphic images (Zip
compressed), and MIDI files (SMF) are available.
Japanese and English.
Performance Practice.
Released
Recordings. This link contains an excellent and virtually exhaustive
discography. Detailed information on recordings (partial list at present)
furnished below. Indexed by [1] First-named Title of Work or [2] Title of
Recording if Title of Work lacking.
Theorists and Theoretical Writings.
Unpublished Sources.
Unpublished Transcriptions.
Unreleased Recordings. Indexed by [1] First-named Title of Work or [2] Title
of Recording if Title of Work lacking.
Works, Authenticated.
Works, Doubtful.
Works, Lost.
Bibliography.
Apel, W. "The Partial Signatures in the Sources Up to 1450." Acta
Musicologica 10 (1938) pp. 1-13.
Apfel, E. "Der klangliche Satz und der freie Diskantsatz im 15. Jahrhundert." Archiv für
Musikwissenschaft 12 (1955) pp. 297-313. German.
Atlas, A. W. The Cappella Giulia Chansonnier: Rome, Biblioteca
apostolica vaticana, C.G. XIII.27. (Musicological Studies, 27).
(Wissenschaftliche Abhandlungen [Institute of Mediaeval Music], Bd. 27).
Brooklyn, N.Y.: Institute of Mediaeval Music, c1975. 2 v. : ill. ; 31 cm. Part
1. Commentary -- Part 2. Transcriptions. Includes transcriptions of selected
chansons from the Cappella Giulia Chansonnier. Includes bibliographical
references. LCCN: 89-163680/MN/r963. ISBN: 0912024232. French.
Bellermann, H. Die Mensuralnoten und Taktzeichen des XV. und XVI.
Jahrhunderts. Berlin: G. Reimer, 1858. viii, 101, [2] p. ; 28 x 23 cm.
LCCN: 10-8363. German.
________. Die Mensuralnoten und Taktzeichen des XV. und XVI.
Jahrhunderts. Berlin: G. Reimer, 1858. viii, 101 p. : music ; 28 cm.
"Druckfehler und Zusèatze": p. [104]. Photocopy. [Brown Summit, NC]:
Etherington Conservation Center for University of Maryland Libraries,
Preservation Dept., 1999. German.
________. Die Mensuralnoten und Taktzeichen des XV. und XVI.
Jahrhunderts. 2 Aufl. Berlin: G. Reimer, 1906. viii, 135, [1] p. ; 28 cm.
"Vorwort zur zweiten Auflage" signed: Ludwig Bellermann. LCCN: 08-2578.
German.
________. Die Mensuralnoten und Taktzeichen des XV. und XVI.
Jahrhunderts. 2. Univeraend Aufl. Berlin: Walter de Gruyter, 1930. viii,
135 p. : music ; 28 cm. German.
________. Die Mensuralnoten und Taktzeichen des 15. und 16.
Jahrhunderts. 4. erweiterte Aufl. hrsg. von Heinrich Husmann. Berlin: W.
de Gruyter, 1963. xii, 142 p. : music ; 26 cm. LCCN: 66-50082. German.
van Benthem, J. B. "'Erratic and Arbitrary' Harmonies in Ockeghem's
Missa Caput?" In Modality in the Music of the Fourteenth and Fifteenth
Centuries, edited by U. Günther, L. Finscher, and J. J. Dean, pp.
247-258. (Musicological Studies and Documents, 49). Neuhausen-Stuttgart:
American Institute of Musicology and Hänssler-Verlag, 1996.
Bernstein, L. F. "Ockeghem's Ave Maria: Evidence of Structural Cogency."
In From Ciconia to Sweelinck: Donum natalicium Willem Elders. pp.
75-89. [Festschrift]. Amsterdam: Rodopi, 1994. RILM 94-01676. See also RILM
94-12446-ae.
Besseler, H. Die Musik des Mittelalters und der Renaissance.
(Handbuch der Musikwissenschaft, 2). New York: Musurgia Publishers, [1931]. 337
p. : ill., music, plates ; 28 cm. Includes bibliographies. German.
________. Die Musik des Mittelalters und der Renaissance. (Handbuch
der Musikwissenschaft). Added t.-p.: Handbuch der Musikwissenschaft,
hrsg. von dr. Ernst Bèucken. Potsdam: Akademische Verlagsgesellschaft
Athenaion m.b.h., [1931-34]. 2 p. 3/4, 337, [1] p. : ill. (incl. music), xx pl.
(part col., part mounted, 1 fold; incl. port., facsims. (music)) ; 30 cm.
Issued in 10 parts. Includes bibliographies. LCCN: 35-11211. Accession no.
(OCLC): 2394984. WorldCat entry: 19760825. German.
________. Die Musik des Mittelalters und der Renaissance. (Handbuch
der Musikwissenschaft, 2). New York: Musurgia, [1949?], c1931. 337 p., [20]
leaves of plates : ill., music ; 28 cm. Issued with: Haas, R.,
Auffèuhrungspraxis der Musik. New York: [s.n.], [1949?]. Includes
bibliographical references (pp. 318-326). Includes index. German.
________. Die Musik des Mittelalters und der Renaissance. New York:
Johnson Reprint Corp., 1973. p. Reprint of the 1931 ed., which was issued as v.
2 of Handbuch der Musikwissenschaft, hrsg. von Ernst Bèucken.
Includes bibliographies. LCCN: 73-975. ISBN: 0384040837. German.
________. Die Musik des Mittelalters und der Renaissance. (Handbuch
der Musikwissenschaft, 1). Wiesbaden: Laaber-Verlag, 1979. 337 p., 20 leaves of
plates : ill. ; 29 cm. Reprint of the 1931 ed., which was issued as v. 2 of
Handbuch der Musikwissenschaft, hrsg. von Ernst Bèucken. Includes
bibliographies. German.
Blackburn, B. J. Composition, Printing, and Performance: Studies in
Renaissance Music. (Variorum Collected Studies Series, CS 687). Aldershot:
Ashgate, 2000. 1 v. (various pagings) : ill. ; 23 cm. Contents: Tinctoris and
the Art of Composition. "A Lost Guide to Tinctoris's Teachings Recovered"
-- "On Compositional Process In the Fifteenth Century" -- "Did
Ockeghem Listen to Tinctoris?" -- Petrucci and His Sources. "Obrecht's
Missa Je ne demande and Busnoy's Chanson" -- "Lorenzo de' Medici, a Lost
Isaac Manuscript, and the Venetian Ambassador" -- "Petrucci's Venetian
Editor: Petrus Castellanus and His Musical Garden" -- Advice on Performance
ca. 1600. "Luigi Zenobi and His Letter on the Perfect Musician."
Includes bibliographical references and indexes. LCCN: 00-29977. GBA0-Y9329.
GBA0-43962. ISBN: 0860788318.
Bovyn, M. "(van) Ockeghem's te Dendermonde." In Johannes Ockeghem
en zijn tijd: tentoonstelling gehouden in het Stadhuis te Dendermonde, 14
November - 6 December 1970, pp. 49-59. (Buitengewone uitgaven, 24).
St.-Gillis-bij.-Dendermonde: A De Cuyper-Robberecht, 1970. Dutch.
Bowers, R. "Five Into Four Does Go: the Vocal Scoring of Ockeghem's
Missa L'homme armé." Early Music 31/2 (May 2003) pp. 262-265.
Brenet, M. Jean de Ockeghem: mâitre de la chapelle des rois
Charles VII et Louis XI. [Paris: H. Champion, 1893]. 32 p. ; 24 cm.
"Extrait des Mémoires de la Société de l'histoire de
Paris, tome XXe, 1893." Mémoires de la Société de Paris et
de l'Île-de-France. Includes bibliographical references. French.
________. Jean de Ockeghem: mâitre de la chapelle des rois
Charles VII et Louis XI. Termonde: Caju-Beeckman, 1912. 42 p. ; 25 cm.
"Extrait des Annales du Cercle archâeologique de la Ville et de l'ancien
Pays de Termonde -- Deuxiáeme sâerie, t. XIV." French.
________. Musique et musiciens de la vieille France. Paris: F.
Alcan, 1911. 3 p. 3/4., [3]-249, [2] p. : ill. (music) ; 19 cm. Contents:
Les musiciens de Philippe le Hardi -- Jean de Ockeghem, mâitre
de la chapelle des rois Charles VII et Louis XI -- Essai sur les
origines de la musique descriptive -- Jacques Mauduit. LCCN:
28-21777. Accession no. (OCLC): 3201267. French.
________. Musique et musiciens de la vieille France. Microform.
Paris: F. Alcan, 1911. 3 p. l., [3]-249, [2] p. : ill. (music) ; 19 cm.
Contents: Les musiciens de Philippe le Hardi -- Jean de Ockeghem,
mâitre de la chapelle des rois Charles VII et Louis XI -- Essai
sur les origines de la musique descriptive -- Jacques Mauduit.
Master microform held by: DLC [Library of Congress.] Washington, D.C.: United
States Library of Congress, 19--. Microfilm. 1 reel ; 35 mm. Original (DLC)
28021777. nuc87-362269. French.
[Brenn, F. "Ockeghems spiritueller Rhythmus." Implicit Measures in
Social Cognition Research 7 (1958) pp. 73-74.]
Bridgman, N. "The Age of Ockeghem and Josquin." In Ars nova and
the Renaissance 1300-1540. (The New Oxford History of Music, 3). Edited by
D. A. Hughes and G. Abraham, pp. [239]-302. London ; New York: Oxford
University Press, 1960. Bibliography (v. 3): pp. [503]-532. Includes index.
Brown, H. M. Music in the Renaissance. Englewood Cliffs, N.J.:
Prentice-Hall, 1976. (Prentice-Hall History of Music Series). xiv, 384 p. :
music ; 24 cm. Includes bibliographies and index. LCCN: 75-28352. ISBN:
0136085059. 0136084974 (pbk.).
________. A reneszâanz zenâeje. Translation of: Music
in the Renaissance. Budapest: Zenem-ukiadâo, 1980. 447 p., [24] p. of
plates : ill. (some col.), music ; 23 cm. Includes bibliographical references
(pp. 425-[437]) and index. ISBN: 9633303370. Hungarian.
Bukofzer, M. F. "Caput: A Liturgico-Musical Study." In Studies in
Medieval and Renaissance Music, pp. 217-310. [1st ed.] New York: Norton,
1950. 324 p. : ill., music ; 24 cm. LCCN: 50-10081. ISBN: 0393002411 (pbk.).
[11508526/19].
________. Studies in Medieval and Renaissance Music. London: J. M.
Dent, 1951. 324 p. [2] leaves of plates : ill., music ; 24 cm. Includes
bibliographical references and index. GB51-11374.
Call, J., C. Hamm, and H. Kellman, eds. Census-Catalogue of Manuscript
Sources of Polyphonic Music, 1400-1550. (Renaissance Manuscript Studies,
1). [Rome]: American Institute of Musicology ; Neuhausen-Stuttgart:
Hänssler-Verlag, 1979-<1988>. v. <1-2, 4-5> ; 27 cm. "The
Census-Catalogue was compiled in the Musicological Archives for
Renaissance Manuscript Studies by Jerry Call, with assistants. Volume 1 was
edited by Charles Hamm with Herbert Kellman ; volumes II-V edited by Herbert
Kellman"--v. 5, t.p. verso. Contents: v.1. A-J -- v.2. K-O --
v. 4. V-Z and Supplement -- v.5. Cumulative Bibliography and Indices.
LCCN: 83-132636. ISBN: 3775106456 (v.2). Accession no. (OCLC): 12082487.
WorldCat entry: 19830331. [5743104/19 13601499/19 13976305/19 25430707/19].
Cauchie, M. "Les veritables nom et prénom d'Ockeghem." Revue de
Musicologie 7 (1926) pp. 9-10. French.
Ceulemans, A.-E., and B. J. Blackburn, eds. Théorie et analyse
musicales: 1450-1650: Actes du collogue international Louvain-la-Neuve, 23-25
septembre 1999. (Publications d'histoire de l'art d'archéologie de
l'Université catholique de Louvain, 100. Musicologica neolovaniensia,
9). Louvain-la-Neuve: Départment d'histoire de l'art et
d'archéologie, Collège Érasme, 2001. viii, 440 p. : ill.,
music ; 24 cm. Contents: "The Dispute About Harmony c. 1500 and the Creation
of a New Style" / B. J. Blackburn -- "Minor Color Revisited: Okeghem's
Ma bouche rit and Beyond" / R. Woodley -- "On False Concords in Late
Fifteenth-Century Music: Yet Another Look at Tinctoris" / M. Bent --
"La magie des cris trenchantz: comment le vray trésorier de musique
échappe à la trappe du très terrible satrappe" / J. B.
van Benthem -- "Ballata Form in the Early Madrigal" / M. Mangani [and]
M. Z. Rossi -- "Philomena praevia de Jean Richafort: la complexité du
modèle au défi de l'analyse" / A. Tacaille -- "A Newly
Recovered Eight-Mode Motet Cycle from the 1540s: Zarlino's Song of Songs
Motets" / C. C. Judd -- "L'usage des dissonances dans la théorie
du contrepoint de Juan Bermudo, Declaración de instrumentos musicales
(1555)" / P. Otaola -- "Rhetorical Functions of Harmony and Counterpoint
in the Theory and Practice of Nicola Vicentino" / T. R. McKinney --
"Content and Context: On Public and Private Motet Style in Sixteenth-Century
Venice" / K. Schiltz -- "A propos du motet Philomena praevia de Claude
le Jeune (Melanges de 1585)" / P. Bonniffet -- "Heinrich Schütz's
Heu mihi, Domini: Traditional and Progressive Attributes in the F-Mode
Repertory" / G. H. Phipps -- "Modes, Clefs, and Transpositions in the
Early Seventeenth Century" / R. Rasch. Includes bibliographical references
and index. Jean Touzot Libraire Editeur (TOUZ JTL00101516 24 EUR). ISBN:
293031401X. Matrix no.: 9782930314013. Accession no. (OCLC): 49968928. WorldCat
entry: 20020611. French and English.
Crétin, G. D. Déploration de Guillaume Crétin dur le trépas de Jean Okeghem:
musicien, premier chapelain du roi de France et trésorier de Saint-Martin de Tours, remise au jour.
Précédée d'une introduction biographique et critique, et annotée par Er. Thoinan
[pseud.]. Paris: A. Claudin, 1864. 2, 45, [1] p., 1 leaf ; 25 cm. "Tiré à 150 exemplaires." "Er.
Thoinan" pseud. of Antoine Ernest Roquet. LCCN: 09-14273. French.
________. Déploration de Guillaume Crétin dur le trépas de Jean Okeghem: musicien,
premier chapelain du roi de France et trésorier de Saint-Martin de Tours, remise au jour.
Précédée d'une introduction biographique et critique, et annotée par Er. Thoinan
[pseud]. London: H. Baron, 1965. 2, 45, [1] p., 1 leaf ; 25 cm. "Er. Thoinan" pseud. of Antoine Ernest Roquet.
French.
Crocker, R. L. A History of Musical Style. (McGraw-Hill Series in Music). New York: McGraw-Hill Book
Company, 1966. vii, 573 p. : music ; 24 cm. "Selected study materials": p. [538]-554. LCCN: 65-28233/MN.
GB66-22695.
________. A History of Musical Style. New York: Dover Publications,
1986. vii, 573 p. : music ; 24 cm. Reprint. Originally published: New York:
McGraw-Hill, 1966. Slightly corrected. Bibliography: pp. [529]-554. Includes
index. LCCN: 85-20718/MN. ISBN: 0486250296 (pbk.).
________. A History of Musical Style. New York: Dover Publications ;
London: Constable, 1986. vii, 573 p. : music ; 24 cm. Originally published:
New York: McGraw-Hill, 1966. Bibliography: pp. [538]-554. Includes index.
GB88-8517. ISBN: 0486250296 (pbk.).
Dahlhaus, C. "Ockeghems 'Fuga trium vocum'." Die Musikforschung 13 (1960) pp. 307-310. German.
Dean, J. J. "Ockeghem or Basiron? A Disputed Salve Regina and a 'Very
Notable' Minor Composer." Abstracts of Papers Read at the Fifty-Second Annual
Meeting of the American Musicological Society (1986) pp. 46-47.
[________. "Okeghem's Attitude Towards Modality: Three-Mode and
Eight-Mode Typologies." pp. 203-246.]
[________. "Okeghem's Valediction? The Meaning of Intemerata Dei mater."
pp. [521]-570.]
Droz, E., and A. Piaget, eds. Le jardin de plaisance et fleur de
rethorique. (Société des Anciens Textes Français).
Paris: Firmin-Didot et cie [etc.], 1910-1925. 2 v. : ill. ; 28 cm. Vol. 2 has
imprint: Librairie Édouard Champion. Many errors in numbering of leaves.
Published anonymously. Later editions were ascribed to Jean, de Calais, or
Jean Jourdain (cf. Brunet and Barbier). The present editor rejects both of
these ascriptions, and suggests Regnaud Le Queux as author, or compiler.
"Bibliographie": t. II, p. [9]-11. "Les éditions": t. II, p. [12]-26.
Contents: [t. I. Le texte] -- t. II. Introduction et notes, par E. Droz et A.
Piaget. LCCN: 10-29433. Accession no. (OCLC): 3389706. WorldCat entry:
19771103. French.
Duffin, R. W. "Mi chiamano Mimi ... But My Name Is Quarti toni:
Solmization and Ockeghem's Famous Mass." Early Music 29/2 (May 2001) pp.
164-185.
________. Studien zur Symbolik in der Musik der alten Niederländer.
Bilthoven: A. B. Creyghton, 1968. 228 p. : music, plates (some col.) ; 26
cm. Issued also as Thesis (Utrecht). Bibliography: pp. 218-222. LCCN:
71-372954. German.
Fallows, D. "English Song Repertories of the Mid-Fifteenth Century."
Proceedings of the Royal Musical Association 103 (London: Royal Musical
Association, 1976-1977) pp. 61-79.
________. "Johannes Ockeghem: The Changing Image, the Songs, and a New
Source." Early Music 12/2 (May 1984) pp. 218-230.
________. Songs and Musicians in the Fifteenth Century. (Collected
Studies Series, CS519). Aldershot, Hampshire, Great Britain ; Brookfield, Vt.:
Variorum, 1996. 1 v. (various pagings) : ill. ; 23 cm. Contains 14 essays
originally published 1976-1994. Includes bibliographical references and
indexes. LCCN: 95-45521. ISBN: 0860785610 (cloth).
Fitch, F. Johannes Ockeghem: Masses and Models. (Collection
Ricercar, 2). Paris: Honoré Champion, 1997. xii, 240 p. : ill., music ;
28 cm. Includes bibliographical references (pp. [219]-233) and index. Jean
Touzot Libraire Editeur (TOUZ JTL00006267 336 FRF). ISBN: 2852037351. ISSN:
1279-788X.
Frobenius, W. "Krenek und Ockeghem." In Ernst Krenek, edited
by O. Kolleritsch, pp. 153-173. (Studien zur Wertungsforschung, 15). Wien:
Universal-Edition, 1982. 241 p. : ill. ; 21 cm. Includes bibliographical
references. LCCN: 83-127520. GFR83-A6. ISBN: 3702401636. Accession no. (OCLC):
9469276. WorldCat entry: 19830317. German and English.
Frölich, A. "Die Deploration auf den Tod Johann Okeghem's [sic]
von Wilhelm Cretin." Monatshefte für Musikgeschichte 11 (1879) pp.
35-54. German.
Giraudet, E., ed. Les artistes tourangeaux: architectes, armuriers,
brodeurs, émailleurs, graveurs, orfèvres, peintres, sculpteurs,
tapissiers de haute lisse. Notes et documents inédits par E.
Giraudet. (Mémoires de la Société Archéologique
de Touraine, 33). Tours: Imprimerie Rouillé-Ladevèz, 1885. civ,
419 p. : ill. "The illustrations are reproductions of signatures and marks of
artists." Accession no. (OCLC): 11728498. WorldCat entry: 19850223. French.
Godt, I. "An Ockeghem Observation: Hidden Canon in the Missa Mi-mi?" Utrecht: Tijdschrift
van de Vereniging voor Nederlandse Muziekgeschiedenis 41/2 (1991) pp. 79-85.
Goldberg, C. Die Chansons Johannes Ockeghems: Ästhetik des musikalischen Raumes. (Neue
Heidelberger Studien zur Musikwissenschaft, 19). Laaber: Laaber-Verlag, c1992. ix, 467 p. : ill. ; 25 cm.
Bibliography: pp. 415-422. LCCN: 92-216571/MN. ISBN: 3890072704. German.
________. "Cuiusvis toni: Ansätze zur Analyse einer Messe Johannes
Ockeghems." Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis
42/1 (1992) pp. 3-35. RILM 92-10961-ap. German.
________. "Militat omnis amans: Zitat und Zitieren in Molinets Le
débat du viel Gendarme et du viel amoureux und Ockeghems Chanson
L'aultre d'antan." Die Musikforschung 42/4 (1989) pp. 341-349. German.
________. "Musik als kaleidoskopischer Raum: Zeichen, Motiv, Gestus und
Symbol in Johannes Ockeghems Requiem." In Zeichen und Struktur in der
Musik der Renaissance: ein Symposium aus Anlass der Jahrestagung der
Gesellschaft für Musikforschung, Münster (Westfalen): 1987 Bericht,
edited by K. Hortschanksy, pp. 47-64. (Musikwissenschaftliche Arbeiten,
28). Kassel, Germany: Bärenreiter, 1989. LCCN: 90-128601. ISBN: 3761809476.
Accession no. (OCLC): 30898362. [20910969/19 21598158/19]. German.
________. "Text and Music as 'Spiel': Humour in Ockeghem's Chanson
L'aultre d'antan." International Journal of Musicology 2 (1993) pp.
61-83.
________. "Text, Music, and Liturgy in Johannes Ockeghem's Masses."
Musica Disciplina: A Yearbook of the History of Music 44 (1990) pp.
185-233. Illustrated. An analysis of the "Qui tollis peccata mundi" passages
in Ockeghem's settings of the Agnus Dei. ISSN: 0077-2461. RILM 91-01950-ap.
Gottwald, C. "Johannes Ockeghem: Bericht über den
Erzavantgardisten." In Revolution in der Musik: Avantgarde von 1200 bis
2000, edited by A. Riethmüller, pp. 55-65. Kassel, Germany:
Bärenreiter, 1989. LCCN: 89-188744. ISBN: 3761809336. Accession no.
(OCLC): 21457542. German.
[Grosvenor, H. R. "Platonism and the Arts: the Quadrilateral as Platonist
Form and Transcendental Portal." M. Phil. Thesis. University of Newcastle Upon
Tyne, 2007. xviii, 246 p. : ill. ; 30 cm. Contents: Acknowledgements --
Abstract -- Preface -- Introduction -- I. Universal Harmony. Part I.
Neo-Platonist and Neo-Pythagorean Idealism. Part II. Hermeticism (Pagan
Gnosticism) -- II. Jean de Ockeghem: The Lucid Mystic? -- III. Theory of Forms:
Temporal and Spatial Masses -- IV. Glasses: Windows of the Abstract Realm --
V. Modal Equivalence -- VI. Conclusion. Appendix I: Iamblichus: Psellus
Extracts -- Ia: Pythagoras and Musical Ratios -- Ib: Greek Music -- Ic: Useful
Texts on Greek Music -- Appendix II: John Cage: A Compositional Process --
Appendix III: Universal Grammar -- Bibliography.]
Haar, J., ed. Chanson & Madrigal, 1480-1530: Studies in Comparison and
Contrast. A Conference at Isham Memorial Library, Sept. 13-14, 1961. (Isham
Library Papers, 2). Cambridge, Mass.: Harvard University Press, 1964. xii, 266
p. ; 24 cm. The "Musical examples" (p. [139]-255) include a number of complete
vocal compositions from Mss. or 16th century printed sources, almost all of
which appear here for the first time in a modern edition.
Haass, W. Studien zu den "L'homme armé"-Messen des 15. und 16.
Jahrhunderts. (Kölner Beiträge zur Musikforschung, 136).
Regensburg: G. Bosse, 1984. 180 p. : music ; 21 cm. Originally presented as the
author's thesis (Doctoral--Universität zu Köln, 1983). Bibliography:
pp. 145-154. LCCN: 84-168850. ISBN: 3764922885. Accession no. (OCLC):
12971148. [10467019/19]. German.
Harris, R. G. "An Analysis of the Design of the 'Caput' Masses by Dufay
and Ockeghem in Their Metric and Rhythmic Aspects." Hamline Studies in
Musicology 1 (Minneapolis, Minnesota: Burgess Publishing Company, 1945) pp.
1-46. LCCN: 46-5792.
Henze, M. Studien zu den Messenkompositionen Johannes Ockeghems.
(Berliner Studien zur Musikwissenschaft, 12). Berlin: Merseburger, 1968. 260 p.
: ill., facsim., music ; 21 cm. Bibliography: pp. 258-260. LCCN: 68-94448.
German.
Hewitt, H. "'Fors seulement' and the Cantus Firmus Technique of the
Fifteenth Century." In Essays in Musicology in Honor of Dragan Plamenac
on his 70th Birthday. (Da Capo Press Music Reprint Series). Edited by G.
Reese and R. J. Snow, pp. 91-126. Pittsburgh: University of Pittsburgh Press,
1969. xiii, 391 p. : facsims., music, ports. ; 25 cm. Includes bibliographical
references. LCCN: 68-12731. ISBN: 0822910985. Accession no. (OCLC): 56095.
Higgins, P. "'In Hydraulis' Revisited: New Light on the Career of
Antoine Busnois." Journal of the American Musicological Society 39 (1986)
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________, ed. Antoine Busnoys: Method, Meaning, and Context in Late
Medieval Music. Oxford: Clarendon Press ; New York: Oxford University
Press, 1999. xxii, 599 p. : ill. ; 24 cm. Contents: 1. Introduction.
"Celebrating Transgression and Excess: Busnoys and the Boundaries of Late
Medieval Culture" / P. Higgins -- 2. "'Trained and Immersed in All
Musical Delights': Towards a New Picture of Busnoys" / D. Fallows. Appendix
A. Outline Chronology of Busnoys's Songs. Appendix B. Inventory of
Wolfenbüttel 287. Part I. Music, Ceremony, and Ritual in the Late Middle
Ages. 3. "Music and Ritual at Charles the Bold's Court: The Function of
Liturgical Music by Busnoys and His Contemporaries" / H. M. Brown.
Appendix A. Passages from the 1469 Regulations at Charles the Bold's Court
Concerning Singing. Appendix B. Liturgical Occasions Celebrated With Special
Solemnity at the Court of Charles the Bold. Appendix C. The Contents of
Brussels 5557. 4. "On the Origins, Contexts, and Implications of Busnoys's
Plainsong Cantus Firmi: Some Preliminary Remarks" / M. J. Bloxam -- 5.
"The Ceremony of the Armed Man: The Sword, the Altar, and the L'homme
armé Mass" / F. Warmington. Appendix A. Extracts Concerning the Mass
Called the Ceremony of the Armed Man, from the Zibaldone Quaresimale of
Giovanni Rucellai. Appendix B. The Imperial or Royal Sword Ceremony During
Christmas Matins from the Papal Ceremonial of Pierre Ameil, c.1375-1400.
Appendix C. Papal Gifts of the Sword and Hat Blessed on Christmas and Sent to
Distant Recipients, 1455-1503. Appendix D. Gifts in the Pope's Presence of the
Blessed Sword and Hat, 1455-1503, in Rome. Appendix E. Text for the
Presentation of the Blessed Sword and Hat, Instituted by Sixtus IV. Part II.
Intertextual, Contextual, and Hermeneutic Approaches to Late Medieval Musical
Culture. 6. "Arma virumque cano: Echoes of a Golden Age" / M. Long -- 7.
"Musical Politics in Late Medieval Poitiers: A Tale of Two Choirmasters"
/ P. Higgins. Appendix. Chapter Deliberation re: Busnoys v. Le Begue. 8.
"Mensural Intertextuality in the Sacred Music of Antoine Busnoys" / R.
C. Wegman. Appendix. Busnoys, Gaude caelestis Domina. 9. "Text, Tone,
and Symbol: Regarding Busnoys's Conception of In hydraulis and its Presumed
Relationship to Ockeghem's Ut heremita solus" / J. van Benthem. Appendix A.
Busnoys's In hydraulis and its Sources. Appendix B. The
Fifteenth-Century Orthography of Ockeghem's Name. Appendix C. In
hydraulis: Letter-Values and Golden Sections. Part 3. Issues of Authorship,
Attribution, and Anonymity in Archival and Musical Sources. 10. "The
Magnificat Group of Antoine Busnoys: Aspects of Style and Attribution" / M.
Natvig. Appendix. Text and Translation of the Magnificat. 11. "Resjois toi
terre de France/Rex pacificus: An 'Ockeghem' Work Reattributed to Busnoys" /
A. Lindmayr-Brandl -- 12. "Busnoys and 'Caron' in Documents from
Brussels" / B. Haggh. Appendix A. Documents from Brussels on Busnoys and
'Caron'. Appendix B. Summary of Burgundian Court Escroes Showing Caron's
Presence or Absence. 13. "Conflicting Attributions and Anonymous Chansons in
the 'Busnoys' Sources of the Fifteenth Century" / L. L. Perkins. Appendix
A. Busnoys Chanson Attributions. Appendix B. Virelais in the Sources Central
for Busnoys: A Summary Overview. Appendix C. Inventory of Virelais in the
Sources Central for Busnoys. Appendix D. Catalogue of Chansons by Antoine
Busnoys. Part IV. Reading the Theorists on Compositional Procedures and
Changing Styles. 14. "False Concords in Busnoys" / P. Urquhart.
Appendix A. Thirty-one Harmonic Fifths in Busnoys's Three-Part Chansons that
are Probably Diminished. Appendix B. Busnoys, C'est bien maleur. 15.
"Simultaneous Conception and Compositional Process in the Late Fifteenth
Century" / R. Wexler -- 16. "Reading Tinctoris for Guidance on Tempo"
/ A. Blachly. Part V. Busnoys's Legacy. 17. "Henricus Isaac and Fortuna
desperata" / M. Picker. Appendix. Fortuna desperata: A List of
Individual Settings of Voices Borrowed from the Canzona Attributed to
Busnoys. 18. "Busnoys and Japart: Teacher and Student?" / A. W. Atlas --
19. "Poliziano, Primavera, and Perugia 431: New Light on Fortuna
desperata" / H. Meconi. Appendix A. Fortuna desperata: Chronology to
c.1510. Appendix B. Comparison of London 16439 and Original Layer of
Riccardiana 2723. Appendix C. Stanze 33-37 of Poliziano, Stanze cominciate
per la Giostra del Magnifico Giuliano de'Medici. 20. "Busnoys and Italy:
The Evidence of Two Songs" / J. Rifkin -- Notes on Contributors -- Index of
Manuscripts and Early Printed Books -- Index of Compositions by or Attributed
[i.e., Ascribed] to Busnoys -- General Index. Includes bibliographical
references and index. LCCN: 95-45522. GB99-80706. ISBN: 0198164068. Accession
no. (OCLC): 33333310. [42908695/19].
Hoppin, R. H. "Conflicting Signatures Reviewed." Journal of the American Musicological Society 9
(1956) pp. 97-117.
________. "Partial Signatures and Musica Ficta in Some Early Fifteenth Century
Sources." Journal of the American Musicological Society 6 (1953) pp. 197-215.
Hortschansky, K., ed. Zeichen und Struktur in der Musik der Renaissance:
ein Symposium aus Anlass der Jahrestagung der Gesellschaft für
Musikforschung, Münster (Westfalen) 1987: Bericht.
(Musikwissenschaftliche Arbeiten, 28). Kassel ; New York: Bärenreiter,
c1989. 183 p. ; 23 cm. Contents: Zur Vorgeschichte des "Opus perfectum et
absolutum" in der Musikauffassung um 1500 / P. Cahn -- Struktur, Zeichen
und Symbol in der altniederländischen Totenklage / W. Elders --
Musik als kaleidoskopischer Raum: Zeichen, Motiv, Gestus und Symbol in
Johannes Ockeghems Requiem / C. Goldberg -- Musikwissenschaft und
Bedeutungsforschung. Überlegungen zu einer Heuristik im Bereich der Musik
der Renaissance / K. Hortschansky -- Josquins Vertonungen der
Genealogien nach Matthäus und Lukas. Textgestalt und musikalische Struktur
/ M. Just -- Vincenzo Ruffos Capricci und die Vorgeschichte des
musikalischen Kunstbuchs / D. Kämper -- Die Spiritus et alme-Tropen
als liturgische Zeichen / R. Köhler -- Musikalische 'Struktur' im
Spiegel der Kompositionslehre von Pietro Pontios Ragionamento di musica (1588)
/ K-J. Sachs. Includes bibliographical references (pp. 159-177) and index.
LCCN: 90-128601. ISBN: 3761809476. Accession no. (OCLC): 30898362.
[20910969/19 21598158/19]. German.
Houghton, E. F. "Rhythm and Meter in 15th-Century Polyphony." Journal of
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Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 37 (1987) pp.
3-13.
Hughes, A. Manuscript Accidentals: Ficta in Focus, 1350-1450.
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73-157052/MN/r973.
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te Dendermonde, 14 November - 6 December 1970. (Buitengewone uitgaven,
24). St.-Gillis-bij.-Dendermonde: A De Cuyper-Robberecht, 1970. Dutch.
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Lincoln Center in New York City, 21-25 June 1971. Sponsored by the American
Musicological Society, in Cooperation with the International Musicological
Society, and the Renaissance Society of America ; edited by Edward E. Lowinsky,
in collaboration with Bonnie J. Blackburn, pp. 181-216. London ; New York:
Oxford University Press, 1976. xviii, 787 p., [24] leaves of plates (1 fold.) :
ill. (some col.) ; 27 cm. + 3 sound discs (analog, 33 1/3 rpm. ; 7 in.).
Includes index. LCCN: 77-361746. ISBN: 0193152290. [16056176/19].
________. "The Origins of the Chigi Codex." Journal of the American
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Kirkman, A. The Three-Voice Mass in the Later Fifteenth and Early
Sixteenth Centuries: Style, Distribution, and Case Studies. (Outstanding
Dissertations in Music From British Universities). New York: Garland
Publishing, 1995. xxii, 378 p. : ill. ; 24 cm. Includes bibliographical
references (pp. 343-356) and index. LCCN 94-43504. GB95-35092. ISBN:
0815318715. Accession no. (OCLC): 31604628. WorldCat entry: 19941110.
Kirkman, A., and D. Slavin, eds. Binchois Studies. 1st ed. Oxford ;
New York: Oxford University Press, 2000. xviii, 353 p. : ill. ; 25 cm. Papers,
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bibliographical references (pp. [331]-342) and indexes. LCCN: 00-28823.
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Knighton, T., and D. Fallows, eds. Companion to Medieval and Renaissance
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III. Questions of Form and Style. IV. Using the Evidence. V.
Pre-Performance Decisions. VI. Performance Techniques.
Chronology. Glossary. Index. Spine title: Companion to Medieval &
Renaissance Music. "First published in Great Britain by the Orion
Publishing Group, Ltd."--T.p. verso. Includes bibliographical references and
index. LCCN: 92-32213. ISBN: 0028712218 (alk. paper). Accession no. (OCLC):
26547076.
Kreitner, K. "Very Low Ranges in the Sacred Music of Ockeghem and
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________. Johannes Ockeghem. (Great Religious Composers). New York:
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________. La concorde des deux langages. (Textes littèraires
français). Ed. critique pub. par J. Frappier. Paris: Droz, 1947. lxviii,
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University of California Photoduplication Service, 1983. 22 x 28 cm.
French.
Lenaerts, R. B. "Bemerkungen über Johannes Ockeghem und seinen
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German.
Lesure, F. "Ockeghem à Notre-Dame de Paris (1463-1470)." In
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(Da Capo Press Music Reprint Series). Edited by G. Reese and R. J. Snow, pp.
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facsims., music, ports. ; 25 cm. Includes bibliographical references. LCCN:
68-12731. ISBN: 0822910985. Accession no. (OCLC): 56095. French.
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Liber quindecim missarum, praestantissimis musicis compositarum, quarum
nomina unà cum suis autoribus sequens pagina commonstrat. Microfilm.
Norimbergae: Apud I. Petreium, 1539. 4 parts ; 16 x 21 cm. Title from tenor
part. For discantus, tenor, contratenor, and bassus. The composers named are:
Iosquin, A. Brumel, H. Isaac, Lupi, P. de la Rue, F. de Layolle, G.
Braitengrasser, I. Ockekhem, and P. de Molu. Microfilm of copy (bound in 1 v.)
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19780524. Latin.
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bibliographical references (pp. 251-268). LCCN: 90-149638. ISBN: 3890072046.
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bears at the foot of the 1st page. Later in possession of Cardinal Rohan
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catalogue 1882). Now at Berlin, originally acquired for the Königliche
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Kupferstichkabinett (no. 78B17). There it was discovered in 1913 by Siegfried
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________. Secret Chromatic Art in the Netherlands Motet. Translated from the German by Carl
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[Neuhauser-Stuttgart]: American Institute of Musicology : Hänssler-Verlag, [1990]. Offprint from:
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[sn86-10259].
Picker, M. Johannes Ockeghem and Jacob Obrecht: A Guide to Research.
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plates) : facsims. ; 29 cm. Bibliography: pp. [665]-676. Includes indexes. In
part with French, Italian, Latin, or Spanish text. For 2-4 voices and/or
instruments. Based on: Biblioteca del Monumento nazionale di Montecassino.
Manuscript. Cod. Casin. 871 N, pp. 247-436. LCCN: 81-770625/M/r872. ISBN:
0198161328. French, Italian, Latin, and Spanish.
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Accession no. (OCLC): 6754553.
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Reese, G. Music in the Renaissance. [1959]. ca. 300 l. (in
portfolio) ; 45 cm. Author's manuscript. Consists of pages of the 1st ed., and
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corrected for the 1959 ed., which was published by W. W. Norton, New York.
________. Music in the Renaissance. London: Dent, 1954. xvii, 1022
p. : music, 8 plates (incl. facsims.) ; 24 cm. Bibliography: pp. 884-946.
GB54-13217.
________. Music in the Renaissance. [1st ed.] New York: W. W.
Norton, 1954. xvii, 1022 p. : music, 8 plates (incl. facsims.) ; 24 cm.
Bibliography: pp. 884-946. LCCN: 54-10623.
________. Music in the Renaissance. Rev. ed. London: Dent, 1959.
xvii, 1022 p., [8] leaves of plates : ill., facsims., music ; 24 cm.
Bibliography: pp. 884-946.
________. Music in the Renaissance. Rev. ed. New York: W. W. Norton,
1959. xvii, 1022 p., [8] leaves of plates : ill., facsims., music ; 24 cm.
Bibliography: pp. 884-946. LCCN: 59-12879.
________. "Musical Compositions in Renaissance Intarsia." (Medieval
and Renaissance Studies, 2). Durham, N.C.: University of North Carolina Press,
1968, pp. 74-97.
Reese, G., and R. J. Snow, eds. Essays in Musicology in Honor of Dragan
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York: Da Capo Press, 1977, c1969. xiii, 391 p. : ill. ; 24 cm. Reprint of the
1st edition published by the University of Pittsburgh Press. Includes
bibliographical references. LCCN: 77-4220/MN/r86. ISBN: 0306774089.
________. Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday. [Pittsburgh]:
University of Pittsburgh Press, [1969]. xiii, 391 p. : facsims., music, ports. ; 25 cm. LCCN: 68-12731//r86.
ISBN: 0822910985.
Riemann, H. Handbuch der Musikgeschichte. Leipzig: Breitkopf &
Härtel, 1904-13. 5 v. : ill. (music), fold. plates (music) ; 23 cm.
Contents: 1. Bd. Altertum und mittelalter (bis 1450) 1904-05. 2 v. --
2. Bd. 1. T. Das zeitalter der renaissance bis 1600. 1907. -- 2. Bd. 2.
T. Das generalbasszeitalter. 1912. -- 2. Bd. 3. T. Die musik des 18.
und 19. jahrhunderts. 1913. Contains bibliographies. LCCN: 06-10016.
German.
________. Handbuch der Musikgeschichte. Leipzig: Breitkopf &
Härtel, 1907-1919 [v. 1, 1919]. 2 v. in 4 : ill. (music) ; 23 cm.
Contents: Bd. 1: 2. verb. und verm. Aufl. LCCN: 62-3058. German.
Roosens, L. "Werd Jan van Ockeghem te Dendermonde geboren." Musica
Sacra 43 (1936) pp. 13-18. Dutch.
Roth, A., ed. Collectanea I. (Capellae Apostolicae Sixtinaeque
Collectanea Acta Monumenta, 3). Città del Vaticano: Biblioteca
Apostolica Vaticana, 1994. 268 p. ; 24 cm. Contents: "Verso uno 'stile
internazionale' della musica nelle cappelle papali e cardinalizie durante il
Grande Scisma (1378-1417): il caso di Johannes Ciconia da Liége" /
G. di Bacco, J. Nádas -- "Musical Ambassadors in Rome and Loreto:
Papal Singers at the Confraternities of Santissima Trinità dei
Pellegrini" / N. O'Regan --"Anmerkungen zur 'Benefizialkarriere' des
Johannes Ockeghems" (pp. 97-232). / A. Roth. Papers in Italian, German, and
English. Includes bibliographical references and indexes. ISBN: 8821007103.
Accession no. (OCLC): 36421938. German, Italian, and English.
Russell, E. "The Missa In agendis mortuorum of Juan García de
Basurto: Johannes Ockeghem, Antoine Brumel and an Early Spanish Polyphonic
Requiem Mass." Tijdschrift van de Koninklijke Vereniging voor Nederlandse
Muziekgeschiedenis 29 (1979) pp. 1-37.
du Saar, J. Het leven en de composities van Jacobus Barbireau.
Utrecht: W. de Haan, 1946. iv, 210 p., 8vo, wrps (sl. foxed) : music, notes,
bibliography, register, index ; 25 cm. Note: Proefschrift Utrecht. Dutch.
Schering, A. "Ein Rätseltenor Okeghems." Festschrift Hermann
Kretzschmar zum siebzigsten Geburtstage berreicht von Kollegen, Schlern and Freunden.
Leipzig: [Breitkopf & Härtel?] 1918. pp. 132-135. German.
Schweizer, K. "Interpolationen zur Missa prolationum (Ockeghem)."
Dissonance 27 (1991) pp. 30-31. German.
Seay, V. "A Contribution to the Problem of Mode in Medieval Music."
Hamline Studies in Musicology 1 (Minneapolis, Minnesota: Burgess Publishing
Company, 1945) pp. 47-68. LCCN: 46-5792.
Sonnleithner, J. F., and J. N. Forkel, eds. Geschichte der Musik in
Denkmälern von der ältesten bis auf die neueste Zeit: mit den
Bildnissen und Biographien der berühmten Tonsetzer = Histoire de la
musique depuis les tems [sic] les plus recules jusqu'a nos jours:
redigee d'apros les monumens anciens et modernes. Microform. [Leipzig?:
s.n., 1806?]. [1] v. Title from caption. Microfilm. Kraków: Biblioteka
Jagiellońska, Pracownia Fototechniczna, 1991. 1 microfilm reel : positive ;
35 mm. Original in the Biblioteka Jagiellońska in Kraków (PL
Kj). "Nach einem historischen Plane des Herrn Forkel"--Introduction.
Introduction in German and French by Joseph Sonnleithner. Accession no. (OCLC):
29719375. WorldCat entry: 19940126. German, French, Latin, and Polish.
Sparks, E. H. Cantus Firmus In Mass and Motet, 1420-1520. Berkeley:
University of California Press, 1963. xi, 504 p. : music ; 26 cm.
Bibliographical material included in "Notes" (pp. 431-488). LCCN: 63-15469.
GB64-20110.
________. Cantus Firmus In Mass and Motet, 1420-1520. (Da Capo Press
Music Reprint Series). New York: Da Capo Press, 1975, c1963. xi, 504 p. :
music ; 23 cm. Reprint of the ed. published by University of California Press,
Berkeley. Includes bibliographical references and index. LCCN: 74-31190. ISBN:
0306707209.
Stephan, W. Die burgundisch-niederländische Motette zur Zeit
Ockeghems. (Heidelberger Studien zur Musikwissenschaft, 6).
Würzburg-Aumühle: K. Triltsch, 1937. 115, [1] p. : music ; 25 cm.
Lebenslauf. "Verzeichnis der Abkürzungen": pp. 101-103. Accession no.
(OCLC): 21579921. German.
________. Die burgundisch-niederländische Motette zur Zeit Ockeghems. (Heidelberger Studien
zur Musikwissenschaft, 6). Kassel: Bärenreiter-Verlag, 1937. 115 p. : music ; 25 cm. Photocopy. [New York:
New York Public Library, Photographic Department, 1972?] on double leaves. "Verzeichnis der Abkürzungen":
p. 101-103. German.
________. Die burgundisch-niederländische Motette zur Zeit Ockeghems. (Heidelberger Studien
zur Musikwissenschaft, 6). Kassel: Bärenreiter, 1973. 115 p. : music ; 24 cm. Reprint of the 1937 edition
which was issued as Bd. 6 of Heidelberger Studien zur Musikwissenschaft. Includes bibliographical references.
LCCN: 74-338307. ISBN: 376180315X. German.
Taruskin, R. "Antoine Busnois and the 'L'homme armé' Tradition."
Journal of the American Musicological Society 39 (1986) pp. 255-293.
Thein, W. Musikalischer Satz und Textdarbietung im Werk von Johannes
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237-260 [v.1]. Errata slip inserted. ISBN: 3795206871 [v.1] ; 3795207088 [v.2].
German.
Thoinan, E. Déploration de Guillaume Crétin dur le
trépas de Jean Okeghem: musicien, premier chapelain du roi de France et
trésorier de Saint-Martin de Tours. Remise au jour,
précédée d'une introduction biographique et critique, et
annotée par Er. Thoinan [pseud.]. Paris: A. Claudin, 1864. 2 p. l., 45,
[1] p., 1 l. ; 25 cm. "Tiré à 150 exemplaires." "Er. Thoinan"
pseud. of Antoine Ernest Roquet. LCCN: 09-14273. French.
Urquhart, P. "Calculated to Please the Ear: Ockeghem's Canonic Legacy."
Utrecht: Tijdschrift van de Koninklijke Vereniging voor Nederlandse
Muziekgeschiedenis 47 (1997) pp. 72-98.
Vaccaro, J.-M. "Jean de Ockeghem, trésorier de l'eglise
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en zijn tijd: tentoonstelling gehouden in het Stadhuis te Dendermonde, 14
November - 6 December 1970, pp. 72-76. (Buitengewone uitgaven, 24). St.
Gillis-bij.-Dendermonde: A De Cuyper-Robberecht, 1970. Dutch.
Van den Borren, C. Études sur le quinzième siecle musical. Anvers: N. V. de
Nederlandsche Boekhandel, 1941. 281 p. : music ; 23 cm. Includes bibliographical references and index. "La fin
du Gothique et les débuts de l'école néerlandaise."
Vendrix, P., ed. Johannes Ockeghem: actes du XLe Colloque international
d'études humanistes. Tours, 3-8 février 1997. (Collection
Epitome musical, 1). Centre d'Etudes Supérieures de la Renaissance.
[Paris]: Klincksieck, 1998. 875 p. Contents: "Jean de Ockeghem, musicien
méconnu" / L. Perkins (pp. 11-44). Des Pays-bas au royaume de
France. "Johannes Ockeghem et la vie musicale à et autour de la
collégiale Notre-Dame d'Anvers pendant la première moitié
du XVe siècle" / E. Scheurs and A. Wouters (pp. 47-64) -- "The
Politics of Ockeghem canonicate" / R. Wexler (pp. 65-78) -- "Basilique,
pouvoir et dévotion: Ockeghem à Saint-Martin de Tours" / A.
Magro (pp. 79-100) -- "Kings, Confessors, Cantors, and Archipellano:
Ockeghem and the Gerson Circle at St-Martin of Tours" / G. Kirkwood (pp.
101-137) -- "Hic miros cecinit cantus, nova scripta reliquit" / R.
Strohm (pp. 139-165) -- "Portrait of a Musician" / R. Strohm (pp.
166-172) -- "Music at the Cathedral of Bourges in the Time of Ockeghem: a
Preliminary and Fragmentary Report" / R. Sherr (pp. 173-219). Sources et
éditions. "Ockeghem's Scribes Then and Now" / E. F. Houghton (pp.
223-237) -- "Le Codex Fitch et les messes d'Ockeghem" / F. Fitch (pp.
239-252) -- "Reading Laborde: the Significance of Johannes Ockeghem's
Chansons in the Context of the Chansonnier Laborde" / C. Goldberg (pp.
253-270) -- "'Vous nous voiez cy attachez': en découvrant la relation
entre texte et musique dans la Missa Prolacionum" / J. van Benthem (pp.
271-298). Aspects de la musique profane. "Ockeghem as a Song Composer: Hints
Towards a Chronology" / D. Fallows (pp. 301-316) -- "Ockeghem's
Approach to Musical Process in the Three-Voice Chansons" / M. K. Morgan
(pp. 317-342) -- "Some Thoughts About One-Line Refrains in Ockeghem's
Rondeaux" / A. W. Atlas (pp. 343-364) -- "Nouvelles Variations sur O
rosa bella, cette fois avec un ricercare juif" / D. Harrán (pp.
365-379) -- "Ockeghem an[d] the Motet-Chanson in Fifteenth-Century France"
/ H. Meconi (pp. 381-402). Aspects de la musique sacrée.
"Music an[d] Ritual from the Time of Ockeghem: Evidence from Paris and
Tours" / B. Haggh (pp. 405-414) -- "Reflections on Ockeghem and Mi-mi"
/ M. Picker (pp. 415-432) -- "Missa Prolationum: auf der Suche nach
einer Originalnotation" / M. Friebel (pp. 433-464) -- "Canon and
Variation in Ockeghem's Missa Prolationum" / M. Eckert (pp. 465-479) --
"Quinti toni in Context: Currents in Three-Voice Mass Writing in the Later
Fifteenth-Century" / A. Kirkman (pp. 481-498) -- "Ockeghem's Motets:
Style as an Indicator of Authorship: the Case of Ut heremita solus
Reconsidered" / A. Lindmayr-Brandl (pp. 499-520) -- "Ockeghem's
Valediction? The Meaning of Intemerata Dei mater" / J. Dean (pp. 521-570)
-- "Zur Vertonung von Mariendichtung in antiken Versmassen bei Johannes
Ockeghem und Johannes Regis" / H.-J. Winkler (pp. 571-593). Aspects
théoriques. "Did Ockeghem Listen to Tinctoris?" / B. Blackburn
(pp. 597-640) -- "The Use of Cut Signatures in Sacred Music by Ockeghem and
His Contemporaries" / M. Bent (pp. 641-680) -- "Syntax and Style:
Rhythmic Patterns in the Music of Ockeghem and His Contemporaries" / S.
Gallagher (pp. 681-705) -- "Etude comparative du traitement de la
mélodie et de la dissonance chez Ockeghem et Josquin Desprez" /
A.-E. Ceulemans (pp. 707-753). Devenir de l'oeuvre. "Ockeghem as a Model"
/ E. Jas (pp. 755-785) -- "Zitat, bearbeitung, transformation:
Spielarten der kompositorischen Auseinandersetzung mit Ockeghem in der Musik
des 20. Jahrhunderts" / W. Thein (pp. 787-809) -- "Ockeghem the Mystic:
a German Interpretation of the 1920s" / L. F. Bernstein (pp. 811-841).
Index des noms (pp. 843-864). Index des oeuvres (pp. 865-875). Includes
bibliographical index. Jean Touzot Libraire Editeur (TOUZ JTL00026215 600 FRF).
ISBN: 2252032146. French, Latin, German, and English.
Wangermée, R. Flemish Music and Society in the Fifteenth and
Sixteenth Centuries. Translation of: La musique flamande dans la
société des XVe et XVIe siècle. English version by
Robert Erich Wolf. Brussels: Editions Arcade (under the sponsorship of the
Banque de Paris et des Pays-Bas), 1968. 349 p. Bibliography: pp. 293-301.
Includes 2 sound discs : 33 1/3 rpm. ; 12 in. Discography: pp. 329-341. LCCN:
79-420186/MN/r84.
________. La musique flamande dans la société des XVe et
XVIe siècles. 2nd ed. Bruxelles: Éditions Arcade, 1971,
c1965. 337 p. Bibliography: pp. 293-301. Descriptions des planches: pp.
303-[322]. Includes 2 sound discs : 33 1/3 rpm., mono. ; 12 in. Description des
disques: pp. 323-331.
Wegman, R. "The Anonymous Mass D'Ung aultre amer: a Late
Fifteenth-Century Experiment." Musical Quarterly 74 (1990) pp. 566-594.
________. "An Anonymous Twin of Johannes Ockeghem's Missa quinti toni
in San Pietro's B 80." Utrecht: Tijdschrift van der Vereniging voor
Nederlandse Muziekgeschiedenis 37 (1987) pp. 25-48. Music, charts, tables.
I-Rvat. RILM 88-01977-ap.
Wexler, R. "On the Authenticity of Ockeghem's Motets." Abstracts of
Papers Read at the Fiftieth Annual Meeting of the American Musicological
Society, Meeting Jointly with the Society for Music Theory, Philadelphia,
Pennsylvania, October 25-28, 1984, pp. 41-42. [Philadelphia?: AMS?], 1984.
79 p. ; 21 cm. Cover title: AMS, SMT: Abstracts. Includes index.
Accession no. (OCLC): 21364286. WorldCat entry: 19900412.
Wickham, E. "Finding Closure: Performance Issues in the Agnus Dei of
Ockeghem's Missa L'homme armé." Early Music 30/4 (November 2002)
pp. 593-607.
Winn, M. B., ed. Musique naturelle et musique artificielle: in memoriam
Gustav Reese. (Le Moyen français, 5). Montreal: Ceres, 1980. 236 p.
: music ; 22 cm. Contents: Dedication to Gustave Reese / H. M. Brown
-- Preface / M. B. W. -- Nouviaus dis amoureux plaisans: Variation as
Innovation in Guillaume de Machaut / L. W. Johnson -- The Revision of
Ockeghem's Je n'ay dueil / L. Litterick -- Antoine Busnois and the
d'Hacqueville Connection / L. L. Perkins -- Octovien de Saint-Gelais
/ M. B. Winn -- More Regret Chansons for Marguerite d'Autriche / M.
Picker -- Music and Poetry in Renaissance Cognac / R. Wexler -- Music
for the Royal entrée into Paris, 1483-1517 / S. Bonime -- Fixed
and Free Forms in French Monophonic Song, ca. 1480-1520 / J. Rahn --
Prosodie verbale et prosodie musicale: la strophe sapphique / É.
Weber -- The Fifteenth-Century Rondeau as Aleatory Polytext / H. Garey.
Includes bibliographical references. Accession no. (OCLC): 23419459.
[7208177/19 10392430/19]. French and English.
Witte, M. "Ein missdeuteter Rhythmus in Ockeghems Requiem." Die
Musikforschung 23/4 (October-December 1970) pp. 431-433. Includes musical
examples. RILM 71-03647-ap. German.
________. "Minor Coloration Revisited: Okeghem's Ma bouche rit and
Beyond." In Théorie et analyse musicales 1450-1650: Colloque
international, Louvain-la-Neuve, Belgium, 23-25 September 1999, Proceedings
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Louvain-la-Neuve: Départment d'histoire de l'art et
d'archéologie, Collège Érasme, 2001. Includes Text,
Footnotes, and Appendix.
Wright, C. "Dufay at Cambrai: Discoveries and Revisions." Journal of the
American Musicological Society 28 (1975) pp. 175-229.
Zimmerman, R. "Stilkritische Anmerkungen zum Werk Ockeghems." Archiv
für Musikwissenschaft 22 (1965) pp. 248-271. German.
Biography.
Born: St Ghislain, Belgium, c.1410. Died: [Tours] France, 6 February 1497.
Perkins, L. L. "Ockeghem, Jean de: Bibliography." In The New
Grove Dictionary of Music and Musicians, edited by S. Sadie, vol. 18, pp.
323-326. New York: Grove, 2001. LCCN: 00-55156. GBA1-12556. ISBN: 1561592390
(cloth : alk. paper). ISBN: 0333608003. [44220901/19 45769275/19 45992176/19].
Picker, M. Johannes Ockeghem and Jacob Obrecht: A Guide to Research.
(Garland Composer Resource Manuals, 13). New York: Garland Pub., 1988. xi, 203
p. ; 23 cm. Biographical material: pp. 3-13. Bibliography: pp. 115-190.
Includes index. LCCN: 88-4175/MN. GB91-12622. ISBN: 0824083814.
Shaked, G. Johannes
Ockeghem: Biography. Contents: 1. Biography. 2. S'elle
m'amera/Petite camusete: A Sophisticated Game of Meaning and Structure. 3.
Polytextuality from Machaut to Ockeghem.
Editions.
Apel, W. Die Notation der polyphonen Musik, 900-1600. Leipzig:
Breitkopf & Härtel, 1962. 20, 527 p. : facsims. (some col.), music ; 24
cm. "Durchaus nicht lediglich eine Übersetzung des englischen Originals
... sondern als eine grundlich revidierte und verbesserte Neuausgabe."
Übertragungen: pp. 493-519 [including selections of Ockeghem]. Includes
bibliographical footnotes. Accession no. (OCLC): 10613323. WorldCat entry:
19840410. German.
________. Die Notation der polyphonen Musik, 900-1600. 2. verb.
Aufl. Leipzig: VEB Breitkopf & Härtel Musikverlag, 1970. 20, 527 p. : ill.,
facsims., music ; 25 cm. Translation of: The Notation of Polyphonic Music,
900-1600. Includes bibliographical references and index. Accession no.
(OCLC): 2986641. WorldCat entry: 19770523. German and English.
________. Die Notation der polyphonen Musik, 900-1600. 3. Aufl.
Leipzig: Breitkopf & Härtel Musikverlag, 1981 [i.e., 1982], c1962. 20, 526
p. : ill., facsims., music ; 25 cm. Rev. translation of: The Notation of
Polyphonic Music, 900-1600. Übertragungen: pp. 493-519. Includes
bibliographical references and index. Accession no. (OCLC): 10569130. WorldCat
entry: 19840328. German and English.
________. Die Notation der polyphonen Musik, 900-1600. 4. Aufl.
Wiesbaden: Breitkopf & Härtel, 1989, c1962. 20, 527 p. : ill., facsims.,
music ; 25 cm. Includes bibliographical references and index. Accession no.
(OCLC): 47253136. WorldCat entry: 20010618. German and English.
________. The Notation of Polyphonic Music, 900-1600. 2nd, corrected
ed. (The Mediaeval Academy of America. Publication no. 38). Cambridge, Mass.:
The Mediaeval Academy of America, 1944. xxv, 443, [30] p. : illus. (facsims.,
music), tab. ; 26 cm. Appendix: Transcriptions [30] p. at end [including
selections of Ockeghem ; Missa Prolationum (Kyrie)]. LCCN:
45-8537. Accession no. (OCLC): 647555. WorldCat entry: 19730628. English.
Bank, A. Missa Sine nomine : 5-vocum inaequalium. [Amsterdam: A. Bank, n.d.]. 8 p. ; 34 cm.
Latin.
van Benthem, J. B., ed. Masses and Mass Sections. Utrecht:
Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, c1994- 1 score (v.)
; 33 cm. Includes bibliographical references. I. Masses Based on Chant. II.
Masses Based on Secular Settings. III. Masses Based on Freely Invented and
Unspecified Material. Pref. and critical commentary in English. ISBN:
906375163X (set) ; 9063751648 (fasc. I, 1). I. Fasc. 1. Missa Caput.
Fasc. 2. Missa Ecce ancilla domini. Fasc. 3. Credo ; Kyrie Gloria
Credo. Fasc. 4. Requiem ; Nymphes des bois-Requiem / Josquin des
Prez. II. Fasc. 1. Missa De plus en plus/Mort, tu as navré de ton
dart. Fasc. 2. Missa L'homme armé ; Il sera pour vous-L'homme
armé / Robert Morton (?). Fasc. 3. Missa Au travail suis ; Kyrie
Gloria super Ma maistresse. Fasc. 4. Kyrie Gloria Credo super Fors
seulement. III. Fasc. 1. Missa (Primi toni) ; Missa Quinti toni.
Fasc. 2. Missa 'My my'. Fasc. 3. Missa Cuiusvis toni [re and mi].
Fasc. 4. Missa Cuiusvis toni [fa and ut] ; Missa Prolacionum.
Accession no. (OCLC): 31270077. WorldCat entry: 19940923. Latin, French and
English.
Besseler, H., ed. Altniederländische Motetten von Johannes
Ockeghem, Loyset Compère und Josquin des Prez. (Chor-Archiv ; [v.
27]). Kassel: Bärenreiter, [c1956]. Bärenreiter 267. 1 score :
(23 p.) ; 27 cm. Contents: Alma redemptoris mater / Ockeghem -- O vos
omnes / Compère -- Tu pauperum refugium / Josquin des Prez
-- Benedicta es coelorum Regina / Josquin des Prez -- Quellen und Texte.
German.
Bussolin, G., and S. Z. Fortes, eds. Missa Sine nomine: a 3 voci (Ms. VE
cap 759, cc. 2v-9r). (Musica Sacra, 28). (Musica Sacra (Bologna, Italy),
28). Bologna: Ut Orpheus Edizioni, c1999. 1 score ([2]-21 p.) ; 30 cm. For 3
voices, unacc. Pref. in Italian. MS 28 Ut Orpheus Edizioni. Matrix no.:
M215305106. Casalini Libri. CASA 00291633. L25000. Accession no. (OCLC):
44951362. WorldCat entry: 20000902. Italian and Latin.
________. Missa Sine nomine: a 3 voci (Ms. VE cap 759, cc. 2v-9r).
Urtext. (Musica Sacra, MS 28). (Musica Sacra (Bologna, Italy), 28). Bologna: Ut
Orpheus Edizioni, c1999. 1 score (21 p.) ; 30 cm. For 3 mixed voices (STT),
unacc. Pref. and critical report in Italian. MS 28 Ut Orpheus Edizioni. Matrix
no.: M215305106. Biblioteca capitolare di Verona. Manuscript. 759, fol. 2v-9r.
LCCN: 200-133805[8]. Accession no. (OCLC): 46844204. WorldCat entry: 20010112.
Italian and Latin.
Condon, D., ed. Missa Prolationem [sic]. (Fazer Editions of Early
Music). Espoo, Finland: Fazer Music, c1992. F 08311-3 Fazer Music. Includes
notes on performance and bibliography. Edition based on the Chigi Codex.
Rome: Biblioteca vaticana, Chigi Cod. C. VIII.234. 1 score (46 p.) ; 27 cm.
LCCN: 94-771881/M/r97. Latin and English.
Davison, A. T., and W. Apel. Historical Anthology of Music: Oriental,
Medieval and Renaissance Music. Cambridge: Harvard University Press,
1950.
Fallows, D., ed. Missa Cuiusvis toni: For Four Voices: Version in the Phrygian
Mode. Transcribed and edited by David Fallows. (Mapa Mundi. Series B. Franco-Flemish
Church Music, 17). [London?]: Vanderbeek & Imrie, c1989. 1 score (24 p.) ; 30 cm. Latin
and English.
Houle, G., ed. Ockeghem's Missa Cuiusvis toni: In Its Original Notation and Edited In All the Modes.
(Publications of the Early Music Institute). Bloomington: Indiana University Press, c1992. 1 score (145 p.).
Includes bibliographical references. In this edition, singers' parts are provided in mensural notation with a
text underlay based on the Chigi Codex.... Scores and parts in modern notation are included in all the four
authentic modes of Ockeghem's day. The Missa Cuiusvis toni in the phrygian mode. The Missa Cuiusvis
toni in the mixolydian mode. The Missa Cuiusvis toni in the lydian mode. The Missa Cuiusvis
toni in the dorian mode. LCCN: 91-753671/M. ISBN: 0253328543. Latin and English.
Hunter, G., ed. Salve Regina: for 4-Part Chorus of Mixed Voices, A Capella. (New York Pro Musica
Series, 34). New York: Associated Music Publishers, c1973. 1 score (28 p.) ; 28 cm. This edition ... is based
on Sistine Chapel Ms. 42 in the Vatican Library. LCCN: 74-226445/M. Latin and English.
Milsom, J., ed. Salve Regina: for 4 voices. (Mapa Mundi : Renaissance Performing Scores. Series B.
Franco/Flemish Church Music, 5). London: Mapa Mundi, c1978. 1 score (8 p.). Edited from Ms. Capp. Sist. 42 (ff.
144v-148) in the Biblioteca Apostolica Vaticana, Rome. English translation of text below caption. LCCN:
80-771887/M. Latin and English.
Park, M. "The Missa Prolationum of Johannes Ockeghem: A Performing Edition." iv, 102 leaves : ill.,
music ; 29 cm. Master's thesis, Kent State University, 1976. Bibliography: leaves 100-102.
Plamenac, D., ed. Collected Works. (American Musicological Society.
Studies and Documents, 1). New York: Published for the American Musicological
Society by Columbia University Press, 1947-. v. : facsims. ; 33 cm. Contents:
Vol. 1. Published by Breitkopf & Härtel under title: Sämtliche Werke.
Vol. 2. Masses and Mass Sections IX-XVI. LCCN: 48-3970. Accession no. (OCLC):
5362430. WorldCat entry: 19790911. [14033263/19]. Latin and English.
________. Collected Works. (Studies and Documents / American
Musicological Society 1, 3, and 7). [Philadelphia, Pa.?]: American
Musicological Society, 1947-1992. 1 score (3 v.) : facsims. ; 33 cm. The 1st
ed. of v. 1 was published in 1927 by Breitkopf & Härtel in the series
Publikationen älterer Musik (Erster Jahrgang, Zweiter Teil) under the
title: Sämtliche Werke. Vol. 3 ed. by Richard Wexler with Dragan Plamenac.
Contents: v.1. Masses 1-8 (2nd corr. ed., 1959) -- v.2. Masses and Mass
Sections 9-16 -- v.3. Motets and Chansons. LCCN: 48-3970. z64-28531. ISBN:
1878528025 (v. 3). Accession no. (OCLC): 28016040. WorldCat entry: 19930330.
Latin, French, and English.
________. Collected Works. (American Musicological Society, Studies
and Documents, 1, 3). 2nd, corr. ed. [New York]: American Musicological Society
; General Agent, Galaxy Music Corp., c1959-c1966. 1 score (2 v.). Contents:
v.1. Masses I-VIII. v.2. Masses and Mass sections IX-XVI. First ed. published
in 1927 by Breitkopf & Härtel in the series Publikationen älterer
Musik (Erster Jahrgang, Zweiter Teil). The sources: p. [xv]-xviii [v.1] ; p.
[xi]-xii [v.2]. LCCN: 64-28531/M. Accession no. (OCLC): 645502. WorldCat entry:
19730622. Latin and English.
________. Sämtliche Werke. 1. Bd. (Publikationen älterer Musik, veröffentlicht von
der Abteilung zur Herausgabe älterer Musik bei der Deutschen Musikgesellschaft, 1. Jahrg., 2). Leipzig:
Breitkopf & Härtel, 1927. 1 score (125 p.). Contains Messen I-VIII. Published for the American
Musicological Society under title: Collected Works. Die Quellen: p. [ix]-xii [v.2]. LCCN: ac36-2044//r.
Latin and German.
________. Sämtliche Werke. Erster Band. (Publikationen älterer
Musik, Bd. 1. Jahrg., Hft. 2). Hildesheim: Georg Olms, 1968. 1 miniature score (125 p.).
Bd. 1. Messen I-VIII. Reprint of 1st edition published in 1927 by Breitkopf &
Härtel. No more published in this series. Later vols. published for the American
Musicological Society under title: Collected Works. Latin and German.
Planchart, A., ed. Missae Caput. (Collegium Musicum, 5). New Haven,
Conn.: Dept. of Music, Graduate School, Yale University, 1964. 1 score (182 p.)
; 28 cm. For superius, contratenor, tenor, and 2nd tenor or bassus (voices and
instruments). Includes editorial notes (pp. 154-182). Contents: Missa Caput
/ Dufay -- Missa Caput / Ockeghem -- Missa Caput / Obrecht.
LCCN: 65-142. Accession no. (OCLC): 20523159. WorldCat entry: 19890313.
[404220/19 490558/19]. Latin.
Smijers, A. "Van Ockeghem tot Sweelinck." Algemene Muziekgeschiedenis
([Utrecht: G. Alsbach?], 1947) pp. 114-168. Dutch.
Smijers, A., ed. Van Ockeghem tot Sweelinck: Nederlandse
muziekgeschiedenis in voorbeelden. At head of title: Vereniging voor
Nederlandse Muziekgeschiedenis. Amsterdam: G. Alsbach, 1946-1956. 1 score
(7 v., 236 p.) ; 32 cm. For 2-6 voices; principally with Latin words. Edition
varies. Accession no. (OCLC): 2217094. WorldCat entry: 19760608. [19801930/19].
Latin and Dutch.
________. Van Ockeghem tot Sweelinck: Nederlandse muziekgeschiedenis in
voorbeelden. At head of title: Vereniging voor Nederlandse
Muziekgeschiedenis. 2. herziene druk. Amsterdam: G. Alsbach, 1949-1956. 1
score (7 v., 236 p.) ; 32 cm. For 2-6 voices; principally with Latin words.
LCCN: m56-978. Accession no. (OCLC): 22637636. WorldCat entry: 19901106. Latin
and Dutch.
________. Van Ockeghem tot Sweelinck .... Microform. Utrecht:
Uitgeversmij. W. de Haan n.v., [1938]. Reproduction: Microfilm. New York, N.Y.:
New York Public Library, 19--. "Overdruk uit Algemeene muziekgeschiedenis."
"Litteratuur," pp. 165-166. Accession no. (OCLC): 44879875. WorldCat entry:
20000825. Dutch.
Wexler, R., ed. Motets and Chansons. (Collected Works / Johannes
Ockeghem, 3). (Studies and Documents / American Musicological Society, 7).
Philadelphia, PA: American Musicological Society ; Boston: E. C. Schirmer, sole
selling agent, c1992. 1 score (cxii, 107 p.) : facsims. ; 33 cm. Includes all
of Ockeghem's surviving chansons and motets. Latin or French words; also
printed as text, with English translations, in commentary. "The present volume
was, in its initial guise, part of Dragan Plamenac's doctoral dissertation,
"Johannes Ockeghem als Motetten- und Chansonkomponist" (University of Vienna,
1924)"--Preface. Editorial, historical, and critical notes by Richard Wexler.
Contents: Motets, Undisputed. Alma redemptoris mater -- Ave Maria
-- Intemerata Dei mater -- Salve regina I -- Ut heremita
solus -- Vivit Dominus. Motets, Doubtful. Caeleste beneficium
-- Deo Gratia (Canon XXXVI vocum) -- Gaude Maria -- Salve
regina II. Chansons, Undisputed. Aultre Venus -- Baisiés
moy -- D'un autre amer -- Fors seulement l'actente -- Fors
seullement contre -- Il ne m'en chault -- J'en ay dueil --
Je n'ay deul -- La despourveue -- L'autre d'antan -- Les
desléaulx -- Ma bouche rit -- Ma maistresse -- Mort
tu as navré -- O rosa bella -- Prenez sur moi (Fuga
trium vocum) -- Presque transi -- Quant de vous seul -- Qu'es
mi vida -- Qu'es mi vida (Johannes Cornago) -- S'elle
m'amera/Petite camusete -- Se vostre cuer -- Tant fuz
gentement -- Ung aultre l'a. Chansons, Doubtful. Au travail
suis -- Departés vous -- Malheur me bat --
Permanent vierge. Supplement. Ergone conticuit ("in loannem Okegi
musicorum principem, Naenia") / Johannes Lupi? Includes bibliographical
references. ISBN: 1878528025. Accession no. (OCLC): 38482609. WorldCat entry:
19980220. Latin, French, and English.
Iconography.
Lowinsky, E. E. "Ockeghem's Canon for Thirty-Six Voices: An Essay in
Musical Iconography." Festschrift Dragan Plamenac. In Essays in
Musicology in Honor of Dragan Plamenac on His 70th Birthday, edited by G.
Reese and R. J. Snow, pp. 155-180. [Pittsburgh]: University of Pittsburgh
Press, [1969].
Scherliess, V. Musikalische Noten auf Kunstwerken der italienischen
Renaissance bis zum Anfang des 17. Jahrhunderts. (Hamburger Beiträge
zur Musikwissenschaft, 8). Hamburg: Verlag der Musikalienhandlung, 1972. 163
p., [69] p. of plates : ill., music ; 21 cm. Originally presented as the
author's thesis, Hamburg. Bibliography: pp. 137-145. LCCN: 73-309329.
German.
________. Musikalische Noten auf Kunstwerken der italienischen
Renaissance bis zum Anfang des 17. Jahrhunderts. (Hamburger Beiträge
zur Musikwissenschaft, 8). Hamburg: K. D. Wagner, 1972. 163 p., 69 [p. of]
plates ; 21 cm. German.
Library of
Congress Citations (Format and Name). Citations at present include
monographs, name authorities, scores, and sound recordings. Links to databases
such as the National Library of Canada
(AMICUS) and
the United Kingdom and Ireland
(COPAC) are also provided.
Manuscripts, Facsimiles, and Prints.
Chansons
Fors seulement l'actente.
Les desléaulx ont la saison.
Mort tu as navré/Miserere [i.e., Déploration
sur la mort de Binchois].
Qu'es mi vida preguntays.
S'elle m'amera/Petite camusette.
Tant fuz gentement resjouy.
Motets
Masses and Credo sine nomine
Manuscripts: Barcelona 454 (anonymous); Rome (Chigi);
Cappella Sistina 41; Cappella Sistina 63.
Besseler, H., and P. Gülke, eds. Schriftbild der mehrstimmigen
Musik. (Musikgeschichte in Bildern, 3). (Musik des Mittelalters und der
Renaissance, Lfg. 5). 1. Aufl. Leipzig: Deutscher Verlag für Musik, VEB,
1973. 183 p. : ill. (some col.) ; 35 cm. Bibliography: pp. 163-177. LCCN:
74-329288. GFR74-A. Accession no. (OCLC): 1040269. WorldCat entry: 19741014.
German and Latin.
Plamenac, D., ed. Collected Works. (American Musicological Society,
Studies and Documents, 1, 3). 2nd, corr. ed. [New York]: American Musicological
Society ; General Agent, Galaxy Music Corp., c1959-c1966. 1 score (2 v.).
Contents: v.1. Masses I-VIII. v.2. Masses and Mass sections IX-XVI. First ed.
published in 1927 by Breitkopf & Härtel in the series Publikationen
älterer Musik (Erster Jahrgang, Zweiter Teil). The sources: p. [xv]-xviii
[v.1] ; p. [xi]-xii [v.2]. LCCN: 64-28531/M. Accession no. (OCLC): 645502.
WorldCat entry: 19730622. Latin and English.
Missa Ecce ancilla Domini.
[Chigi codex.] Roma: Citt`a del Vaticano: Biblioteca apostolica
vaticana, [14--]. Masses and motets by Ockeghem, Regis, Compère,
Josquin, La Rue, Agricola, Barbireau, Brumel, Busnois, Févin, Weerbeke,
Isaac, Madrid and Mouton. Microfilm of manuscript. 289 leaves of ms. music :
parchment ; 37 cm. 1 microfilm reel : negative ; 35 mm.
[Credo sine nomine.] [S.l. : s.n.] [15--]. Photocopied from Ms.
Capp. Sist. 26 in the Vatican Library. Title supplied by cataloging
institution. [7] leaves of ms. : music ; 21 cm.
Il ne m'en chault. Early Music 12, no. 2 (May 1984) p. 253.
Kellman, H., ed. Vatican City, Biblioteca apostolica vaticana, MS Chigi C VIII 234 [i.e., Chigi
codex]. (Renaissance Music in Facsimile, 22). New York: Garland, 1987. Reproduces a 15th century choir book
containing masses and motets for 3-6 voices. 1 choir book (xv, 289 [i.e. 580] p.) : ill. (some col.) ; 32 cm.
Introduction includes bibliographical references. LCCN: 87-752179/M. ISBN: 0824014715. Latin and
English.
Missa L'homme armé. A Transcription of the Kyrie from Johannes
Ockeghem's Missa L'homme armé. Unpublished seminar paper, edited by
Mark A. Zobel, February 2, 2001. [Colorado]: University of Colorado College of
Music. Contents: MS Rome, Chigi cod. fol. 35' (superius and tenor) -- MS
Rome, Chigi cod. fol. 36 (contratenor and bassus) -- Editorial Notes --
Note Values, Shapes, and Clefs -- Alteration and Ties -- Punctus Divisionis --
Rests -- Ligatures and Coloration -- Musica ficta -- Edited Transcription of
the Kyrie -- Analytical Notes -- Transcription of L'homme armé --
Translation of the L'homme armé Text -- Selected Bibliography.
Reese, G. Music in the Renaissance. [1959]. ca. 300 l. (in
portfolio) ; 45 cm. Author's manuscript. Consists of pages of the 1st ed., and
galleys and page proofs for the rev. ed. of 1959, all extensively annotated and
corrected for the 1959 ed., which was published by W. W. Norton, New York.
Performance Practice.
Moll, K. N. "Resurrecting Early Music: From Manuscript to Compact
Disc." Reprinted from Fanfare 21/1 (September/October 1997).
Simmons, B. "Johannes Ockeghem's Missa Prolationum: Performance Practice
and Transcription." D.M.A. Thesis, Case Western Reserve University, 1976.
v, 110 leaves : music ; 28 cm. Includes bibliographical references.
Released Recordings.
Chansons
Anthologie de la chanson française (de 1450 á 1550) de
Guillaume Dufay á Guillaume Costeley (LP). France: Discophiles
Français, [1962?]. 330.222 -- 330.224. Discophiles Français.
Ensemble Vocal Roger Blanchard. Mildred Clary (lute); Robert Casier (hautbois
d'amour); André François (English horn); Gérard Faisandier
and André Dhelemmes (bassoon); various singers. List of titles and
composers, and program notes in French by Albert Seay ([8] p.) laid in
container. Eighty songs, variously accompanied. Contents: Marguerite fleur
de valeur ; Mon coeur chante / Gilles Binchois -- Je ne vis
oncques la pareille ; Mon coeur me fait tous dispenser / Guillaume
Dufay -- Madame trop vous me spremès / Duc de Bourgogne --
N'aray-je jamais / Robert Morton -- Aultre Venus estés /
Johannes Ockeghem -- Je ne fais plus / Gilles Mureau -- Seule a par
moy / Antoine Busnois -- Mon souvenir / Hayne van Ghizeghem --
Ha traistre amours / Johannes Stockem (Stockhem) -- L'autre jour m'y
chevauchoye ; Faisons bouton / Loyset Compère -- Le
serviteur ; Mon père m'a donné mari / Heinrich
Isaac -- De tous biens pleine / Alexander Agricola -- La
déploration d'Ockeghem / Josquin Desprez -- D'ung autre amer
/ Alexander Agricola -- Plusieurs regrets ; Petite camusette /
Josquin Desprez -- La cueiller d'or / Anonymous (Attaingnant collection)
-- Pourquoi non / Pierre de la Rue -- Ma miette m'a mandé
; L'amour de moy / Anonymous (Attaingnant collection) -- Amours m'y
trottent par la panse / Lourdoys -- La rote de Rode ; Faictes si
vous plaistvostre omosne / Anonymous (Attaingnant collection) --
Bransle / Anonymous -- Plut à la vierge Marie / Anonymous
(Attaingnant collection) -- Laturatu / Antoine Brugier (Bruhier) --
Jamais, jamais / Jean Mouton -- Bransle / Anonymous -- Puisque
de vous je n'ai autre visage / Clément Marot / Pierre Regnault
Sandrin -- Fait elle pas bien? / Senserre (Senterre) -- Fringotez,
jeunes fillettes ; Hai de par Dieu / Jacques de Ponte (Giaches de
Pont) -- Je demeure seule égarée ; La Tête me fait
si grand mal / Anonymous (Attaingnant collection) -- Or sus vous
dormés trop ; Qu'est ce que d'amours ; La chasse ;
Mais ma mignonne / Clément Jannequin -- O cruauté
logée en grand'beaute / Clément Marot / Clément
Janequin -- Pavane des dieux / Anonymous (Attaingnant collection) --
Gaillarde / Anonymous -- Hélas madame ; Sur la
rousée / Passereau -- Ce facheux sots / Anonymous
(Attaingnant collection) -- Du feu d'amours / Jacotin (Jacob Godebrie)
-- Branle de Poitou / Anonymous (1529) -- Moi qui ne fais jamais
/ Jacotin (Jacob Godebrie) -- Rossignolet, connais-tu point ma mie /
Anonymous (Attaingnant collection) -- Tu disais que j'en mourrais /
Claude de Sermisy -- Tant que vivray ; Secourez moy ;
Changeons propos ; D'où vient cela / Clément Marot
/ Claude de Sermisy -- Longtemps y a que je vis en espoir /
Clément Marot / François Dulot -- Ho! Le vilain / Pierre
Certon -- A vous en est / Thomas Créquillon -- Dessus le
marché d'Arras / Adrian Willaert -- Tourdion / Anonymous
(1529) -- Ne te plains tant / Pierre de Villiers -- Nostre dince
/ Anonymous (Attaingnant collection) -- Pavane / Anonymous -- Or m'y
rendez mon karolus ; Allons un peu plus avant / Guillaume Le
Heurteur -- Je suis aimé de la plus belle / Clément Marot
/ Thomas Créquillon -- Vostre beauté plaisante ;
Alleluya m'y faut chanter / Nicolas Gombert -- Plaisir n'ay plus
/ Clément Marot / Thomas Créquillon -- Ung vray musicien /
Jacques Clément (Clemens non Papa) -- Plaindre l'ennuy ;
Ramonez moy ma cheminée / Pierre Hesdin -- Gaillarde /
Anonymous -- Si de nouveau j'ai nouvelles couleurs / Clément
Marot / Jean Conseil (Johannes Consilium) -- L'ardent désir /
Nicolas Renés -- Aymer est ma vie ; Une fillette bien
gorrière / Jacques Clément (Clemens non Papa) -- Toutes
les nuits / Clément Marot / Guillaume Costeley. 3 sound discs :
analog, 33 1/3 rpm., mono. ; 12 in. Accession no. (OCLC): 26388924. French and
English.
Chansons (CD). [France?]: Ricercar, p1997. 206302 Ricercar. Standard
recording number: 3229262063029. Romanesque ; Philippe Malfeyt, director.
Katelijne van Laethem, (soprano); Eitan Sorek (tenor); Hannelore Devaere
(harp); Sophie Watillon (viol); Bart Coen (recorders, percussion); Frank
Liegeois (viol, lute, citole); Philippe Malfeyt (lute, tympanon, citole); Piet
Stryckers (viol, hurdy-gurdy). Recorded January 1997, Koninklijk
Muzielconservatorium, Gent. Multiple forms; part-songs; songs. Sung in Middle
French or (final selection) Spanish. For soprano, or soprano and tenor, with
instruments; the 4th, 6th, 11th, and 14th selections purely instrumental.
Attribution of the 4th work (repeated as the 13th) doubtful; cf. New
Grove. Notes by Philippe Vendrix in French, with English and German
translations, and vocal texts with modern French, English, and German
translations (38 p. : ill.) inserted in container. Contents: Ma bouche
rit (4:55) -- Petite camusette (5:19) -- J'en ay deuil (5:05)
-- Malheur me bat (2:02) (attr. to Johannes Martini) (Spinacino
transcription) -- Ma maitresse (6:10) -- Prenez sur moi (1:04) --
Aultre Venus (4:09) -- L'autre d'antan (3:42) -- Baisez
moy (3:37) -- D'un autre amer (4:06) -- Prenez sur moi (0:59)
-- Fors seulement (7:16) -- Malheur me bat (3:09) (attributed to
Johannes Martini) (Henestrosa transcription) -- Ques mi vida? (5:38). 1
sound disc (ca. 59 min.) : digital ; 4 3/4 in. Accession no. (OCLC): 39273734.
WorldCat entry: 19980611. Middle French, Spanish, English, French, and
German.
Complete Secular Music = L'oeuvre profane = Das weltliche Werk
(CD). London: Editions de l'Oiseau-Lyre, c1993, p1982. 436 194-2 Editions de
l'Oiseau-Lyre. Standard recording number: 2894361942. Medieval Ensemble of
London ; Peter Davies and Timothy Davies, directors. Margaret Philpot (alto);
Timothy Penrose (countertenor); Rogers Covey-Crump (tenor); Geoffrey Shaw
(baritone); Michael George (baritone); Peter Davies (recorder, flute, dulcian,
shawm, harp); Andrew Watts (shawm, recorder); Martin Pope (sackbut, recorder);
Timothy Davies (gittern, lute); Gregory Knowles (dulcimer); Robert Cooper
(fiddle, rebec); William Hunt (fiddle). Recorded at St. George the Martyr,
London, February 1981. Chansons (polyphonic). Program notes in English, French,
and German by Peter Davies, and texts with German, English, and French
translations (70 p. : ill.) laid in container. Contents: Ma bouche rit
(5:13) -- La despourveue (6:03) -- D'un autre amer (4:30) --
Quant ce viendra (5:25) -- Il ne m'en chault plus (3:54) --
Presque trainsi (5:54) -- Ma maistresse (5:03) -- Les desleaux
(4:41) -- Mort tu as navré (7:15) -- Quant de vous
(5:02) -- Au travail suis (4:50) -- Prenez sur moi (5:11) --
Fors seulement l'actente (7:08) -- L'autre d'antan (2:40) --
S'elle m'amera (4:29) -- O rosa bella (3:30) -- Tant fuz
gentement (4:23) -- Je n'ay dueil (5:14) -- Malheur me bat
(2:11) -- Se vostre cuer (1:21) / Ockeghem -- Qu'es mi vida
(2:29) / Cornago -- Qu'es mi vida (3:07) / Cornago / Ockeghem -- Je
n'ay dueil (1:50) -- Ce n'est pas jeu (6:53) -- Resjois toy
(2:56) -- Departez vous (1:18) -- Ung autre l'a (4:20) --
Autre Venus (4:27) -- Baissiez moi (1:34) -- Fors seulement
contre ce (7:41) / Ockeghem. 2 sound discs (ca. 131 min.) : digital,
stereo. ; 4 3/4 in. Accession no. (OCLC): 28785362. WorldCat entry: 19930910.
Additional entry: Accession no. (OCLC): 32459502. WorldCat entry: 19950512.
Middle French, Italian, German, French, and English.
Complete Secular Music = L'oeuvre profane = Das weltliche Werk (LP).
(Florilegium Series). [London]: Editions de L'Oiseau-Lyre, c1982. D254D3 (254D
1 -- 254D 3) Editions de L'Oiseau-Lyre. Medieval Ensemble of London ; Peter
Davies and Timothy Davies, directors. Margaret Philpot (alto); Timothy Penrose
(countertenor); Rogers Covey-Crump (tenor); Geoffrey Shaw (baritone); Michael
George (baritone); Peter Davies (recorder, flute, dulcian, shawm, harp); Andrew
Watts (shawm, recorder); Martin Pope (sackbut, recorder); Timothy Davies
(gittern, lute); Gregory Knowles (dulcimer); Robert Cooper (fiddle, rebec);
William Hunt (fiddle). Recorded at St. George the Martyr, London, February
1981. Title from container. Durations on labels. In container; manual sequence.
Chansons (polyphonic). Program notes in English by Peter Davies with German
and French translations, and French texts with German and English translations
laid in container. Contents: Ma bouche rit (5:10) -- La
despourveue (6:00) -- D'un autre amer (4:27) -- Quant ce
viendra (5:25) -- Il ne m'en chault plus (3:42) -- Presque
trainsi (5:55) -- Ma maistresse (4:56) -- Les desleaux (4:40)
-- Mort tu as navré (7:11) -- Quant de vous (4:58) --
Au travail suis (4:46) -- Prenez sur moi (5:07) -- Fors
seulement l'actente (7:08) -- L'autre d'antan (2:37) -- S'elle
m'amera (4:25) -- O rosa bella (3:36) -- Tant fuz gentement
(4:21) -- Je n'ay dueil (5:10) -- Malheur me bat (2:07) -- Se
vostre cuer (1:17) / Ockeghem -- Qu'es mi vida (2:26) / Cornago --
Qu'es mi vida (3:05) / Cornago / Ockeghem -- Je n'ay dueil (1:47)
-- Ce n'est pas jeu (6:51) -- Resjois toy (2:53) -- Departez
vous (1:15) -- Ung autre l'a (4:16) -- Autre Venus (4:24) --
Baissiez moi (1:31) -- Fors seulement contre ce (7:37) /
Ockeghem. 3 sound discs (ca. 131 min.) : 33 1/3 rpm., stereo. ; 12 in. LCCN:
83-751941. Accession no. (OCLC): 9535501. WorldCat entry: 19830523.
[15383266/19]. Middle French, Italian, German, French, and English.
Missa De plus en plus ; Chansons (CD). Additional title: Missa De
plus en plus & Chansons. Additional title: Missa De plus en plus and
Chansons. Title on insert: Missa De plus en plus & Chansons.
Hamburg: Archiv Production, p1997. 453 419-2 Archiv Produktion. Standard
recording number: 2894534192. Orlando Consort. Robert Harre Jones (alto);
Charles Daniels (tenor); Angus Smith (tenor); Don Greig (baritone). Recorded
March 1996, St. Osdag Kirche, Mandelsloh (Neustadt). Multiple forms. The mass
sung in Latin; the chansons in Middle French or Italian. Additional music
publisher's no.: DG Archive (Blue) 471 727-2. Notes by Jaap van Benthem and
David Fallows, and vocal texts with English translations ([17] p. : port.,
facsims.) inserted in container. Editions for the Mass & Prenez sur moi
by Japp van Benthem (1995); other chansons by David Fallows. Contents: Missa
De plus en plus (35:55) -- Chansons. Presque transi (5:49) --
Prenez sur moi vostre exemple amoureux (5:18) -- O rosa bella
(3:59) -- Aultre Venus estés sans faille (4:21) -- S'elle
m'amera je ne sçay (4:04) -- Tant fuz gentement resjouy
(3:30) -- Mort tu as navré de ton dart (9:46). 1 sound disc (73
min.) : digital ; 4 3/4 in. Accession no. (OCLC): 37356790. WorldCat entry:
19970725. [See also Accession no. (OCLC): 51034504 (Missa De plus en plus ;
Chansons) (CD).] Latin, Middle French, Italian, and English.
Missa De plus en plus ; Chansons (CD). Germany: Archiv Production,
[c2002], p1997. 471 727-2 Archiv Produktion. Orlando Consort. Robert Harre
Jones (alto); Charles Daniels (tenor); Angus Smith (tenor); Don Greig
(baritone). Recorded in St. Osdag Kirche, Neustadt, March 1996. Chansons
(polyphonic); masses; multiple forms. Additional music publisher's no.: DG
Archiv 453 419-2. Program notes in English, German, and French, and texts with
German, English (and French) translations (28 p.) in container. Editions for
the Mass & Prenez sur moi by Jaap van Benthem (1995); other chansons by
David Fallows. Contents: Missa De plus en plus (35:55) -- Chansons.
Presque transi (5:49) -- Prenez sur moi vostre exemple amoureux
(5:18) -- O rosa bella (3:59) -- Aultre Venus estés sans
faille (4:21) -- S'elle m'amera je ne sçay (4:04) -- Tant
fuz gentement resjouy (3:30) -- Mort tu as navré de ton dart
(9:46). 1 sound disc (73 min.) : digital, stereo. ; 4 3/4 in. Accession no.
(OCLC): 51034504. WorldCat entry: 20021119. [See also Accession no. (OCLC):
37356790 (Missa De plus en plus ; Chansons) (CD).] Latin, French,
English, and German.
Chansons (CD). [France?]: Ricercar, p1997. 206302 Ricercar. Standard
recording number: 3229262063029. Romanesque ; Philippe Malfeyt, director.
Katelijne van Laethem, (soprano); Eitan Sorek (tenor); Hannelore Devaere
(harp); Sophie Watillon (viol); Bart Coen (recorders, percussion); Frank
Liegeois (viol, lute, citole); Philippe Malfeyt (lute, tympanon, citole); Piet
Stryckers (viol, hurdy-gurdy). Recorded January 1997, Koninklijk
Muzielconservatorium, Gent. Multiple forms; part-songs; songs. Sung in Middle
French or (final selection) Spanish. For soprano, or soprano and tenor, with
instruments; the 4th, 6th, 11th, and 14th selections purely instrumental.
Attribution of the 4th work (repeated as the 13th) doubtful; cf. New
Grove. Notes by Philippe Vendrix in French, with English and German
translations, and vocal texts with modern French, English, and German
translations (38 p. : ill.) inserted in container. Contents: Ma bouche
rit (4:55) -- Petite camusette (5:19) -- J'en ay deuil (5:05)
-- Malheur me bat (2:02) (attr. to Johannes Martini) (Spinacino
transcription) -- Ma maitresse (6:10) -- Prenez sur moi (1:04) --
Aultre Venus (4:09) -- L'autre d'antan (3:42) -- Baisez
moy (3:37) -- D'un autre amer (4:06) -- Prenez sur moi (0:59)
-- Fors seulement (7:16) -- Malheur me bat (3:09) (attributed to
Johannes Martini) (Henestrosa transcription) -- Ques mi vida? (5:38). 1
sound disc (ca. 59 min.) : digital ; 4 3/4 in. Accession no. (OCLC): 39273734.
WorldCat entry: 19980611. Middle French, Spanish, English, French, and
German.
Complete Secular Music = L'oeuvre profane = Das weltliche Werk
(CD). London: Editions de l'Oiseau-Lyre, c1993, p1982. 436 194-2 Editions de
l'Oiseau-Lyre. Standard recording number: 2894361942. Medieval Ensemble of
London ; Peter Davies and Timothy Davies, directors. Margaret Philpot (alto);
Timothy Penrose (countertenor); Rogers Covey-Crump (tenor); Geoffrey Shaw
(baritone); Michael George (baritone); Peter Davies (recorder, flute, dulcian,
shawm, harp); Andrew Watts (shawm, recorder); Martin Pope (sackbut, recorder);
Timothy Davies (gittern, lute); Gregory Knowles (dulcimer); Robert Cooper
(fiddle, rebec); William Hunt (fiddle). Recorded at St. George the Martyr,
London, February 1981. Chansons (polyphonic). Program notes in English, French,
and German by Peter Davies, and texts with German, English, and French
translations (70 p. : ill.) laid in container. Contents: Ma bouche rit
(5:13) -- La despourveue (6:03) -- D'un autre amer (4:30) --
Quant ce viendra (5:25) -- Il ne m'en chault plus (3:54) --
Presque trainsi (5:54) -- Ma maistresse (5:03) -- Les desleaux
(4:41) -- Mort tu as navré (7:15) -- Quant de vous
(5:02) -- Au travail suis (4:50) -- Prenez sur moi (5:11) --
Fors seulement l'actente (7:08) -- L'autre d'antan (2:40) --
S'elle m'amera (4:29) -- O rosa bella (3:30) -- Tant fuz
gentement (4:23) -- Je n'ay dueil (5:14) -- Malheur me bat
(2:11) -- Se vostre cuer (1:21) / Ockeghem -- Qu'es mi vida
(2:29) / Cornago -- Qu'es mi vida (3:07) / Cornago / Ockeghem -- Je
n'ay dueil (1:50) -- Ce n'est pas jeu (6:53) -- Resjois toy
(2:56) -- Departez vous (1:18) -- Ung autre l'a (4:20) --
Autre Venus (4:27) -- Baissiez moi (1:34) -- Fors seulement
contre ce (7:41) / Ockeghem. 2 sound discs (ca. 131 min.) : digital,
stereo. ; 4 3/4 in. Accession no. (OCLC): 28785362. WorldCat entry: 19930910.
Additional entry: Accession no. (OCLC): 32459502. WorldCat entry: 19950512.
Middle French, Italian, German, French, and English.
Complete Secular Music = L'oeuvre profane = Das weltliche Werk (LP).
(Florilegium Series). [London]: Editions de L'Oiseau-Lyre, c1982. D254D3 (254D
1 -- 254D 3) Editions de L'Oiseau-Lyre. Medieval Ensemble of London ; Peter
Davies and Timothy Davies, directors. Margaret Philpot (alto); Timothy Penrose (countertenor);
Rogers Covey-Crump (tenor); Geoffrey Shaw (baritone); Michael George
(baritone); Peter Davies (recorder, flute, dulcian, shawm, harp); Andrew Watts
(shawm, recorder); Martin Pope (sackbut, recorder); Timothy Davies (gittern,
lute); Gregory Knowles (dulcimer); Robert Cooper (fiddle, rebec); William Hunt
(fiddle). Recorded at St. George the Martyr, London, February 1981. Title from
container. Durations on labels. In container; manual sequence. Chansons
(polyphonic). Program notes in English by Peter Davies with German and French
translations, and French texts with German and English translations laid in
container. Contents: Ma bouche rit (5:10) -- La despourveue
(6:00) -- D'un autre amer (4:27) -- Quant ce viendra (5:25) --
Il ne m'en chault plus (3:42) -- Presque trainsi (5:55) -- Ma
maistresse (4:56) -- Les desleaux (4:40) -- Mort tu as
navré (7:11) -- Quant de vous (4:58) -- Au travail
suis (4:46) -- Prenez sur moi (5:07) -- Fors seulement
l'actente (7:08) -- L'autre d'antan (2:37) -- S'elle m'amera
(4:25) -- O rosa bella (3:36) -- Tant fuz gentement (4:21) --
Je n'ay dueil (5:10) -- Malheur me bat (2:07) -- Se vostre
cuer (1:17) / Ockeghem -- Qu'es mi vida (2:26) / Cornago -- Qu'es
mi vida (3:05) / Cornago / Ockeghem -- Je n'ay dueil (1:47) --
Ce n'est pas jeu (6:51) -- Resjois toy (2:53) -- Departez vous
(1:15) -- Ung autre l'a (4:16) -- Autre Venus (4:24) --
Baissiez moi (1:31) -- Fors seulement contre ce (7:37) /
Ockeghem. 3 sound discs (ca. 131 min.) : 33 1/3 rpm., stereo. ; 12 in. LCCN:
83-751941. Accession no. (OCLC): 9535501. WorldCat entry: 19830523.
[15383266/19]. Middle French, Italian, German, French, and English.
Benedicta es, celorum regina: Renaissance in the Netherlands (CD).
Additional title: Renaissance in the Netherlands. Rotterdam: Erasmus
Muziekproducties, p1999. 249 Erasmus Muziekproducties. Cappella Breda ;
Daniël Speer Trombone Consort, Daan Manneke, conductor ; Anthony Flumara.
Recorded December 12, 1998, Rotterdam, Bovendonk Chapel, the Netherlands.
Multiple forms. Sung in Latin. "Music & Media." Contents: Ave regina
(2:14) / Guillaume Dufay -- O salutaris hostia (3:33) / Pierre de la Rue
-- D'ung aultre amer (1:48) / Johannes Ockeghem -- Tu solus qui
facis mirabilia (4:44) / Josquin Desprez -- Magnificat primi toni
(9:22) / Nicolle des Celliers de Hesidn -- Beatus Stephanus (2:25) /
Adriaan Willaert -- Missa Benedicta es celorum regina (Kyrie,
Gloria) (11:08) / Adriaan Willaert/Nicolle des Celliers de Hesdin --
Benedicta es (6:57) / Josquin Desprez -- Missa Benedicta es celorum
regina (Sanctus, Agnus Dei) (10:57) / Adriaan Willaert/Nicolle des
Celliers de Hesdin -- Memorare mater Christi (8:02) / Mattheus Pipelare.
1 sound disc : digital, stereo. ; 4 3/4 in. Accession no. (OCLC): 49491837.
WorldCat entry: 20020329. Latin.
Chansons (CD). [France?]: Ricercar, p1997. 206302 Ricercar. Standard
recording number: 3229262063029. Romanesque ; Philippe Malfeyt, director.
Katelijne van Laethem, (soprano); Eitan Sorek (tenor); Hannelore Devaere
(harp); Sophie Watillon (viol); Bart Coen (recorders, percussion); Frank
Liegeois (viol, lute, citole); Philippe Malfeyt (lute, tympanon, citole); Piet
Stryckers (viol, hurdy-gurdy). Recorded January 1997, Koninklijk
Muzielconservatorium, Gent. Multiple forms; part-songs; songs. Sung in Middle
French or (final selection) Spanish. For soprano, or soprano and tenor, with
instruments; the 4th, 6th, 11th, and 14th selections purely instrumental.
Attribution of the 4th work (repeated as the 13th) doubtful; cf. New
Grove. Notes by Philippe Vendrix in French, with English and German
translations, and vocal texts with modern French, English, and German
translations (38 p. : ill.) inserted in container. Contents: Ma bouche
rit (4:55) -- Petite camusette (5:19) -- J'en ay deuil (5:05)
-- Malheur me bat (2:02) (attr. to Johannes Martini) (Spinacino
transcription) -- Ma maitresse (6:10) -- Prenez sur moi (1:04) --
Aultre Venus (4:09) -- L'autre d'antan (3:42) -- Baisez
moy (3:37) -- D'un autre amer (4:06) -- Prenez sur moi (0:59)
-- Fors seulement (7:16) -- Malheur me bat (3:09) (attributed to
Johannes Martini) (Henestrosa transcription) -- Ques mi vida? (5:38). 1
sound disc (ca. 59 min.) : digital ; 4 3/4 in. Accession no. (OCLC): 39273734.
WorldCat entry: 19980611. Middle French, Spanish, English, French, and
German.
Complete Secular Music = L'oeuvre profane = Das weltliche Werk
(CD). London: Editions de l'Oiseau-Lyre, c1993, p1982. 436 194-2 Editions de
l'Oiseau-Lyre. Standard recording number: 2894361942. Medieval Ensemble of
London ; Peter Davies and Timothy Davies, directors. Margaret Philpot (alto);
Timothy Penrose (countertenor); Rogers Covey-Crump (tenor); Geoffrey Shaw
(baritone); Michael George (baritone); Peter Davies (recorder, flute, dulcian,
shawm, harp); Andrew Watts (shawm, recorder); Martin Pope (sackbut, recorder);
Timothy Davies (gittern, lute); Gregory Knowles (dulcimer); Robert Cooper
(fiddle, rebec); William Hunt (fiddle). Recorded at St. George the Martyr,
London, February 1981. Chansons (polyphonic). Program notes in English, French,
and German by Peter Davies, and texts with German, English, and French
translations (70 p. : ill.) laid in container. Contents: Ma bouche rit
(5:13) -- La despourveue (6:03) -- D'un autre amer (4:30) --
Quant ce viendra (5:25) -- Il ne m'en chault plus (3:54) --
Presque trainsi (5:54) -- Ma maistresse (5:03) -- Les desleaux
(4:41) -- Mort tu as navré (7:15) -- Quant de vous
(5:02) -- Au travail suis (4:50) -- Prenez sur moi (5:11) --
Fors seulement l'actente (7:08) -- L'autre d'antan (2:40) --
S'elle m'amera (4:29) -- O rosa bella (3:30) -- Tant fuz
gentement (4:23) -- Je n'ay dueil (5:14) -- Malheur me bat
(2:11) -- Se vostre cuer (1:21) / Ockeghem -- Qu'es mi vida
(2:29) / Cornago -- Qu'es mi vida (3:07) / Cornago / Ockeghem -- Je
n'ay dueil (1:50) -- Ce n'est pas jeu (6:53) -- Resjois toy
(2:56) -- Departez vous (1:18) -- Ung autre l'a (4:20) --
Autre Venus (4:27) -- Baissiez moi (1:34) -- Fors seulement
contre ce (7:41) / Ockeghem. 2 sound discs (ca. 131 min.) : digital,
stereo. ; 4 3/4 in. Accession no. (OCLC): 28785362. WorldCat entry: 19930910.
Additional entry: Accession no. (OCLC): 32459502. WorldCat entry: 19950512.
Middle French, Italian, German, French, and English.
Complete Secular Music = L'oeuvre profane = Das weltliche Werk (LP).
(Florilegium Series). [London]: Editions de L'Oiseau-Lyre, c1982. D254D3 (254D
1 -- 254D 3) Editions de L'Oiseau-Lyre. Medieval Ensemble of London ; Peter
Davies and Timothy Davies, directors. Margaret Philpot (alto); Timothy Penrose (countertenor);
Rogers Covey-Crump (tenor); Geoffrey Shaw (baritone); Michael George
(baritone); Peter Davies (recorder, flute, dulcian, shawm, harp); Andrew Watts
(shawm, recorder); Martin Pope (sackbut, recorder); Timothy Davies (gittern,
lute); Gregory Knowles (dulcimer); Robert Cooper (fiddle, rebec); William Hunt
(fiddle). Recorded at St. George the Martyr, London, February 1981. Title from
container. Durations on labels. In container; manual sequence. Chansons
(polyphonic). Program notes in English by Peter Davies with German and French
translations, and French texts with German and English translations laid in
container. Contents: Ma bouche rit (5:10) -- La despourveue
(6:00) -- D'un autre amer (4:27) -- Quant ce viendra (5:25) --
Il ne m'en chault plus (3:42) -- Presque trainsi (5:55) -- Ma
maistresse (4:56) -- Les desleaux (4:40) -- Mort tu as
navré (7:11) -- Quant de vous (4:58) -- Au travail
suis (4:46) -- Prenez sur moi (5:07) -- Fors seulement
l'actente (7:08) -- L'autre d'antan (2:37) -- S'elle m'amera
(4:25) -- O rosa bella (3:36) -- Tant fuz gentement (4:21) --
Je n'ay dueil (5:10) -- Malheur me bat (2:07) -- Se vostre
cuer (1:17) / Ockeghem -- Qu'es mi vida (2:26) / Cornago -- Qu'es
mi vida (3:05) / Cornago / Ockeghem -- Je n'ay dueil (1:47) --
Ce n'est pas jeu (6:51) -- Resjois toy (2:53) -- Departez vous
(1:15) -- Ung autre l'a (4:16) -- Autre Venus (4:24) --
Baissiez moi (1:31) -- Fors seulement contre ce (7:37) /
Ockeghem. 3 sound discs (ca. 131 min.) : 33 1/3 rpm., stereo. ; 12 in. LCCN:
83-751941. Accession no. (OCLC): 9535501. WorldCat entry: 19830523.
[15383266/19]. Middle French, Italian, German, French, and English.
Le chansonnier Nivelle de la Chaussée (CD). Additional
title: Chansons courtoise du XVe siécle. [S.l.: s.n., between
1991 and 2000?]. 581 316 Adda. Ensemble Amadis. [Recorded between 1991 and
2000?] Multiple forms. Multiple languages. Contents: D'une belle jeune fille
; Puis qu'à vous servir ; J'ay pris amour à ma devise ; Querez
ailleurs paille en estrain (instrumental) ; La Falla / Anonymous --
J'ars de desir / Agricola -- Quant ce viendra au droit d'estraindre ;
Vous marchez du bout du pié ; Le corps s'en va / Antoine Busnois --
Mort, j'apelle de ta rigueur ; O dieu d'amour ; Puisqu'il convient que le
départ se fasse / Delahaye -- Puis que vous estes campieur /
Guillaume Dufay -- Tout a par moy (instrumental) / Walter Frye --
Spania (instrumental) / Heinrich Isaac -- N'auray-je jamais mieux que
j'ay / Robert Morton -- D'ung autre amer / Johannes Ockeghem. 1
sound disc (ca. 54:38) ; 4 3/4 in. Multiple languages.
Le jardin de Plaisance: Lieder aus französischen Handschriften des
späten 15. Jahrhunderts = Songs From Late Fifteenth-Century French
Manuscripts = Chansons tirées de manuscrits français de la fin du
XVe siècle (CD). Germany: Raumklang, p2003. RK 2301 Raumklang.
Standard recording number: 4018767023015. La Morra ; Michal Gondko and Corina
Marti, directors. Rosa Dominguez (voice); Raphaël Boulay (voice); Viva
Biancalluna Biffi (fiddle); Corina Marti (flutes and recorders); Luis Beduschi
(flutes and recorders); Marie Bournisien (harp); Michal Gondko (lute). Recorded
September 2001 and March 2002, Binningen. Songs. Sung in French. Program notes
and texts in English, German, and French (26 p.) inserted. Contents: O rosa
bella / J. Ockeghem -- Filles à marier / Anonymous -- A
vous sans autre me viens rendre / A. de Busne -- D'un autre amer mon
cuer s'abesserroit / J. Ockeghem -- Ma dame trop vous m'esprennés
/ K. der Kühne -- Par le regart de vos beaulx yeulx / G. Dufay
-- Je ne vis oncques la pareille / G. de Bins -- Ja que lui ne s'i
attende / A. Busnoys -- Mort, j'appelle de ta rigeu / Delahaye --
Tout a par moy / W. Frye? -- Tout a par moy / Tinctoris --
Tout a par moy / Agricola -- On doibt bien amer l'oysellet /
Anonymous -- Le serviteur / Anonymous -- Au travail suis que peu de
gens croiroient / Barbingant? -- De vous aymer follement m'assenty /
H. van Ghizeghem. 1 sound disc (59 min.) : digital ; 4 3/4 in. Accession no.
(OCLC): 54807789. WorldCat entry: 20040325. French, English, and German.
[Library of Congress Music Division Concert, 1953-12-11] (SR).
[Washington, D.C.? s.n.], 1953. LWO 2253 r13 (10 in. preservation master). RAA
41572 (10 in. acetate tape -- not for playback). RVA 0598-0599 (digital
broadcast master). Pro Musica Antiqua Ensemble of Brussels ; Safford Cape,
conductor. Recorded in the Coolidge Auditorium of the Library of Congress,
Washington, D.C., Dec. 11, 1953. Title from program: Pro Musica Antiqua
Ensemble of Brussels in a Concert of Medieval and Renaissance Music.
Concert given under the auspices of the Gertrude Clarke Whittall Foundation in
the Library of Congress. Produced by the Music Division and the Recording
Laboratory of the Library of Congress. Digital sound on videocassette version:
RVA 0598-0599. Cataloged from printed program; actual tape contents may vary.
Sung in English, French, Italian, and Latin; program contains English
translations of texts. Contents: O mitissima Virgo Maria / Anonymous --
Organum triplum: Virgo / Perotin -- Dance: La rotta / Anonymous
-- Se je souspir parfondement / Guillaume de Machaut -- Gram piant'
agl'occhi / Francesco Landino -- Entre vous, nouviaux maries / Jean
LeGrant -- He! Compaignons ; Par droit je puis bien complaindre ;
J'attendray tant qu'il vous playra / Guillaume Dufay -- D'ung aultre
aimer / Jean de Ockeghem -- N'esse pas ung grand deplaiser ; Je ne me
puis tenir d'aimer / Josquin Deprès -- Dance: O tentalora /
Anonymous -- Basiez-moy / Josquin Deprès -- Basse danse: Trop
de regretz / Attaignant collection -- Blow Thy Horn, Hunter /
William Cornish -- L'ardent amour / Thomas Créquillon -- Le
rossignol / Orlando di Lasso -- Allemanda Englessa ; Galliard:
The King of Denmark ; Come Heavy Sleep / John Dowland -- Madrigal:
Ecco mormorar l'onde / Claudio Monteverdi -- Dance: Branle /
Tylman Susato -- Whither Runneth My Sweetheart / John Bartlett --
Saccio na cosa / Orlando di Lasso -- Danceries: La paduana del re,
Zorzi / Anonymous -- Ballett: Sing On, Sister / Thomas Vautor --
Encore: [Untitled work]. 1 sound tape reel : analog, 7 1/2 ips., 2 track, mono.
; 10 in. (acetate) + 1 sound tape reel : analog, 7 1/2 ips., 2 track, mono. ;
10 in. + 2 videocassettes : digital, sd. ; 3/4 in. + 1 program (6 p.). LCCN:
96-706273. Accession no. (OCLC): 36509770. WorldCat entry: 19961107. French,
Italian, Latin, and English.
Margarete, Maximilian (CD). Title on container: Margarete,
Maximilian: Musik um 1500. Wien: ORF, p2001. CD 265 ORF. Capilla Flamenca ;
La Caccia ; Knaben de Schola Cantorum Cantate Domini Aalst ; Schola Gregoriana
Lovaniensis ; Dirk Snellings, Leitung. Marnix de Cat (countertenor); Stratton
Bull (countertenor); Jan Caals (tenor); Christopher Kale (tenor); Koen Laukens
(tenor); Jan van Elsacker (tenor); Lieven Termont (baritone); Bart Demuyt
(baritone); Dirk Snellings (bass); Paul Mertens (bass); Sophie Watillon (viol);
Gail Schröder (viol); Piet van Steenberghen (viol); Liam Fenelly (viol);
Hannelore Devaere (harp); Patrick Denecker (recorder, shawm); Elisabeth
Schollaert (shawm); Mirella Ruigrok (shawm); Gunter Carlier (sackbut). Knaben e
Schola Cantorum Cantate Domino Aalst: Z. E. H. M. Ghijs (director); Jef Anaf
(chant); Jos Bielen (chant); Joachim Kelecom (chant); Frans Mariman (chant);
Gérald Messiaen (chant); Bjorn Schmelzer (chant); Hendrik vanden Abeele
(chant, cantor); Chris van de Wauw (chant); Olv Frans Mariman (chant); Joris
Verdin (organ); Eugeen Schreurs (musicology). Recorded August 18-21, 1998,
Kapelle des lers College and September 12, 1998, St. Niklaaskerk Herfelingen-
Herne. Motets; masses; multiple forms; part-songs. Sung in Latin, French,
Flemish, or German. Historical notes by Eugene Schreurs in German, English,
French, and Flemish and libretti in Latin, French, Flemish, and German (30 p.)
inserted in container. Contents: Missa in nativitate beatae Mariae
Virginis. Ricercar "Sub tuum praesidium" (2:50) -- Introitus
"Gaudeamus" (4:01) / Heinrich Isaac -- Kyrie: aus der Missa Iste est
speciosa (5:46) ; Gloria aus der Missa Iste est speciosa
(7:53) / Pierre de la Rue -- Graduale "Audi filia" (4:33) -- Alleluia
"Nativitas Virginis" (3:03) ; Sequentia "Stirpe Maria" (5:42) /
Heinrich Isaac -- Credo aus der Missa Iste est speciosa (10:20) /
Pierre de la Rue -- Offertorium "Filliae regum" (1:33) --
Sanctus aus der Missa Iste est speciosa (11:12) / Pierre de la
Rue -- Ricercar (1:07) / Heinrich Isaac -- Agnus Dei aus der
Missa Iste est speciosa (9:35) / Pierre de la Rue -- Communio
"Diffusa est gratia" (1:20) / Heinrich Isaac -- Ite, missa est (0:45) --
Resurrexit tecum suum (3
